Short Story | Plated Article | Charles Dickens

 

Charles Dickens

Plated Article

Putting up for the night in one of the chiefest towns of Staffordshire, I find it to be by no means a lively town. In fact, it is as dull and dead a town as any one could desire not to see. It seems as if its whole population might be imprisoned in its Railway Station. The Refreshment Room at that Station is a vortex of dissipation compared with the extinct town-inn, the Dodo, in the dull High Street.

Why High Street? Why not rather Low Street, Flat Street, Low- Spirited Street, Used-up Street? Where are the people who belong to the High Street? Can they all be dispersed over the face of the country, seeking the unfortunate Strolling Manager who decamped from the mouldy little Theatre last week, in the beginning of his season (as his play-bills testify), repentantly resolved to bring him back, and feed him, and be entertained? Or, can they all be gathered to their fathers in the two old churchyards near to the High Street - retirement into which churchyards appears to be a mere ceremony, there is so very little life outside their confines, and such small discernible difference between being buried alive in the town, and buried dead in the town tombs? Over the way, opposite to the staring blank bow windows of the Dodo, are a little ironmonger's shop, a little tailor's shop (with a picture of the Fashions in the small window and a bandy-legged baby on the pavement staring at it) - a watchmakers shop, where all the clocks and watches must be stopped, I am sure, for they could never have the courage to go, with the town in general, and the Dodo in particular, looking at them. Shade of Miss Linwood, erst of Leicester Square, London, thou art welcome here, and thy retreat is fitly chosen! I myself was one of the last visitors to that awful storehouse of thy life's work, where an anchorite old man and woman took my shilling with a solemn wonder, and conducting me to a gloomy sepulchre of needlework dropping to pieces with dust and age and shrouded in twilight at high noon, left me there, chilled, frightened, and alone. And now, in ghostly letters on all the dead walls of this dead town, I read thy honoured name, and find that thy Last Supper, worked in Berlin Wool, invites inspection as a powerful excitement!

Where are the people who are bidden with so much cry to this feast of little wool? Where are they? Who are they? They are not the bandy-legged baby studying the fashions in the tailor's window. They are not the two earthy ploughmen lounging outside the saddler's shop, in the stiff square where the Town Hall stands, like a brick and mortar private on parade. They are not the landlady of the Dodo in the empty bar, whose eye had trouble in it and no welcome, when I asked for dinner. They are not the turnkeys of the Town Jail, looking out of the gateway in their uniforms, as if they had locked up all the balance (as my American friends would say) of the inhabitants, and could now rest a little. They are not the two dusty millers in the white mill down by the river, where the great water-wheel goes heavily round and round, like the monotonous days and nights in this forgotten place. Then who are they, for there is no one else? No; this deponent maketh oath and saith that there is no one else, save and except the waiter at the Dodo, now laying the cloth. I have paced the streets, and stared at the houses, and am come back to the blank bow window of the Dodo; and the town clocks strike seven, and the reluctant echoes seem to cry, 'Don't wake us!' and the bandy-legged baby has gone home to bed.

If the Dodo were only a gregarious bird - if he had only some confused idea of making a comfortable nest - I could hope to get through the hours between this and bed-time, without being consumed by devouring melancholy. But, the Dodo's habits are all wrong. It provides me with a trackless desert of sitting-room, with a chair for every day in the year, a table for every month, and a waste of sideboard where a lonely China vase pines in a corner for its mate long departed, and will never make a match with the candlestick in the opposite corner if it live till Doomsday. The Dodo has nothing in the larder. Even now, I behold the Boots returning with my sole in a piece of paper; and with that portion of my dinner, the Boots, perceiving me at the blank bow window, slaps his leg as he comes across the road, pretending it is something else. The Dodo excludes the outer air. When I mount up to my bedroom, a smell of closeness and flue gets lazily up my nose like sleepy snuff. The loose little bits of carpet writhe under my tread, and take wormy shapes. I don't know the ridiculous man in the looking-glass, beyond having met him once or twice in a dish-cover - and I can never shave HIM to-morrow morning! The Dodo is narrow-minded as to towels; expects me to wash on a freemason's apron without the trimming: when I asked for soap, gives me a stony-hearted something white, with no more lather in it than the Elgin marbles. The Dodo has seen better days, and possesses interminable stables at the back - silent, grass-grown, broken-windowed, horseless.

This mournful bird can fry a sole, however, which is much. Can cook a steak, too, which is more. I wonder where it gets its Sherry? If I were to send my pint of wine to some famous chemist to be analysed, what would it turn out to be made of? It tastes of pepper, sugar, bitter-almonds, vinegar, warm knives, any flat drinks, and a little brandy. Would it unman a Spanish exile by reminding him of his native land at all? I think not. If there really be any townspeople out of the churchyards, and if a caravan of them ever do dine, with a bottle of wine per man, in this desert of the Dodo, it must make good for the doctor next day!

Where was the waiter born? How did he come here? Has he any hope of getting away from here? Does he ever receive a letter, or take a ride upon the railway, or see anything but the Dodo? Perhaps he has seen the Berlin Wool. He appears to have a silent sorrow on him, and it may be that. He clears the table; draws the dingy curtains of the great bow window, which so unwillingly consent to meet, that they must be pinned together; leaves me by the fire with my pint decanter, and a little thin funnel-shaped wine-glass, and a plate of pale biscuits - in themselves engendering desperation.

No book, no newspaper! I left the Arabian Nights in the railway carriage, and have nothing to read but Bradshaw, and 'that way madness lies.' Remembering what prisoners and ship-wrecked mariners have done to exercise their minds in solitude, I repeat the multiplication table, the pence table, and the shilling table: which are all the tables I happen to know. What if I write something? The Dodo keeps no pens but steel pens; and those I always stick through the paper, and can turn to no other account.

What am I to do? Even if I could have the bandy-legged baby knocked up and brought here, I could offer him nothing but sherry, and that would be the death of him. He would never hold up his head again if he touched it. I can't go to bed, because I have conceived a mortal hatred for my bedroom; and I can't go away, because there is no train for my place of destination until morning. To burn the biscuits will be but a fleeting joy; still it is a temporary relief, and here they go on the fire! Shall I break the plate? First let me look at the back, and see who made it. COPELAND.

Copeland! Stop a moment. Was it yesterday I visited Copeland's works, and saw them making plates? In the confusion of travelling about, it might be yesterday or it might be yesterday month; but I think it was yesterday. I appeal to the plate. The plate says, decidedly, yesterday. I find the plate, as I look at it, growing into a companion.

Don't you remember (says the plate) how you steamed away, yesterday morning, in the bright sun and the east wind, along the valley of the sparkling Trent? Don't you recollect how many kilns you flew past, looking like the bowls of gigantic tobacco-pipes, cut short off from the stem and turned upside down? And the fires - and the smoke - and the roads made with bits of crockery, as if all the plates and dishes in the civilised world had been Macadamised, expressly for the laming of all the horses? Of course I do!

And don't you remember (says the plate) how you alighted at Stoke - a picturesque heap of houses, kilns, smoke, wharfs, canals, and river, lying (as was most appropriate) in a basin - and how, after climbing up the sides of the basin to look at the prospect, you trundled down again at a walking-match pace, and straight proceeded to my father's, Copeland's, where the whole of my family, high and low, rich and poor, are turned out upon the world from our nursery and seminary, covering some fourteen acres of ground? And don't you remember what we spring from:- heaps of lumps of clay, partially prepared and cleaned in Devonshire and Dorsetshire, whence said clay principally comes - and hills of flint, without which we should want our ringing sound, and should never be musical? And as to the flint, don't you recollect that it is first burnt in kilns, and is then laid under the four iron feet of a demon slave, subject to violent stamping fits, who, when they come on, stamps away insanely with his four iron legs, and would crush all the flint in the Isle of Thanet to powder, without leaving off? And as to the clay, don't you recollect how it is put into mills or teazers, and is sliced, and dug, and cut at, by endless knives, clogged and sticky, but persistent - and is pressed out of that machine through a square trough, whose form it takes - and is cut off in square lumps and thrown into a vat, and there mixed with water, and beaten to a pulp by paddle-wheels - and is then run into a rough house, all rugged beams and ladders splashed with white, - superintended by Grindoff the Miller in his working clothes, all splashed with white, - where it passes through no end of machinery- moved sieves all splashed with white, arranged in an ascending scale of fineness (some so fine, that three hundred silk threads cross each other in a single square inch of their surface), and all in a violent state of ague with their teeth for ever chattering, and their bodies for ever shivering! And as to the flint again, isn't it mashed and mollified and troubled and soothed, exactly as rags are in a paper-mill, until it is reduced to a pap so fine that it contains no atom of 'grit' perceptible to the nicest taste? And as to the flint and the clay together, are they not, after all this, mixed in the proportion of five of clay to one of flint, and isn't the compound - known as 'slip' - run into oblong troughs, where its superfluous moisture may evaporate; and finally, isn't it slapped and banged and beaten and patted and kneaded and wedged and knocked about like butter, until it becomes a beautiful grey dough, ready for the potter's use?

In regard of the potter, popularly so called (says the plate), you don't mean to say you have forgotten that a workman called a Thrower is the man under whose hand this grey dough takes the shapes of the simpler household vessels as quickly as the eye can follow? You don't mean to say you cannot call him up before you, sitting, with his attendant woman, at his potter's wheel - a disc about the size of a dinner-plate, revolving on two drums slowly or quickly as he wills - who made you a complete breakfast-set for a bachelor, as a good-humoured little off-hand joke? You remember how he took up as much dough as he wanted, and, throwing it on his wheel, in a moment fashioned it into a teacup - caught up more clay and made a saucer - a larger dab and whirled it into a teapot - winked at a smaller dab and converted it into the lid of the teapot, accurately fitting by the measurement of his eye alone - coaxed a middle-sized dab for two seconds, broke it, turned it over at the rim, and made a milkpot - laughed, and turned out a slop- basin - coughed, and provided for the sugar? Neither, I think, are you oblivious of the newer mode of making various articles, but especially basins, according to which improvement a mould revolves instead of a disc? For you MUST remember (says the plate) how you saw the mould of a little basin spinning round and round, and how the workmen smoothed and pressed a handful of dough upon it, and how with an instrument called a profile (a piece of wood, representing the profile of a basin's foot) he cleverly scraped and carved the ring which makes the base of any such basin, and then took the basin off the lathe like a doughy skull-cap to be dried, and afterwards (in what is called a green state) to be put into a second lathe, there to be finished and burnished with a steel burnisher? And as to moulding in general (says the plate), it can't be necessary for me to remind you that all ornamental articles, and indeed all articles not quite circular, are made in moulds. For you must remember how you saw the vegetable dishes, for example, being made in moulds; and how the handles of teacups, and the spouts of teapots, and the feet of tureens, and so forth, are all made in little separate moulds, and are each stuck on to the body corporate, of which it is destined to form a part, with a stuff called 'slag,' as quickly as you can recollect it. Further, you learnt - you know you did - in the same visit, how the beautiful sculptures in the delicate new material called Parian, are all constructed in moulds; how, into that material, animal bones are ground up, because the phosphate of lime contained in bones makes it translucent; how everything is moulded, before going into the fire, one-fourth larger than it is intended to come out of the fire, because it shrinks in that proportion in the intense heat; how, when a figure shrinks unequally, it is spoiled - emerging from the furnace a misshapen birth; a big head and a little body, or a little head and a big body, or a Quasimodo with long arms and short legs, or a Miss Biffin with neither legs nor arms worth mentioning.

And as to the Kilns, in which the firing takes place, and in which some of the more precious articles are burnt repeatedly, in various stages of their process towards completion, - as to the Kilns (says the plate, warming with the recollection), if you don't remember THEM with a horrible interest, what did you ever go to Copeland's for? When you stood inside of one of those inverted bowls of a Pre-Adamite tobacco-pipe, looking up at the blue sky through the open top far off, as you might have looked up from a well, sunk under the centre of the pavement of the Pantheon at Rome, had you the least idea where you were? And when you found yourself surrounded, in that dome-shaped cavern, by innumerable columns of an unearthly order of architecture, supporting nothing, and squeezed close together as if a Pre-Adamite Samson had taken a vast Hall in his arms and crushed it into the smallest possible space, had you the least idea what they were? No (says the plate), of course not! And when you found that each of those pillars was a pile of ingeniously made vessels of coarse clay - called Saggers - looking, when separate, like raised-pies for the table of the mighty Giant Blunderbore, and now all full of various articles of pottery ranged in them in baking order, the bottom of each vessel serving for the cover of the one below, and the whole Kiln rapidly filling with these, tier upon tier, until the last workman should have barely room to crawl out, before the closing of the jagged aperture in the wall and the kindling of the gradual fire; did you not stand amazed to think that all the year round these dread chambers are heating, white hot - and cooling - and filling - and emptying - and being bricked up - and broken open - humanly speaking, for ever and ever? To be sure you did! And standing in one of those Kilns nearly full, and seeing a free crow shoot across the aperture a-top, and learning how the fire would wax hotter and hotter by slow degrees, and would cool similarly through a space of from forty to sixty hours, did no remembrance of the days when human clay was burnt oppress you? Yes. I think so! I suspect that some fancy of a fiery haze and a shortening breath, and a growing heat, and a gasping prayer; and a figure in black interposing between you and the sky (as figures in black are very apt to do), and looking down, before it grew too hot to look and live, upon the Heretic in his edifying agony - I say I suspect (says the plate) that some such fancy was pretty strong upon you when you went out into the air, and blessed God for the bright spring day and the degenerate times!

After that, I needn't remind you what a relief it was to see the simplest process of ornamenting this 'biscuit' (as it is called when baked) with brown circles and blue trees - converting it into the common crockery-ware that is exported to Africa, and used in cottages at home. For (says the plate) I am well persuaded that you bear in mind how those particular jugs and mugs were once more set upon a lathe and put in motion; and how a man blew the brown colour (having a strong natural affinity with the material in that condition) on them from a blowpipe as they twirled; and how his daughter, with a common brush, dropped blotches of blue upon them in the right places; and how, tilting the blotches upside down, she made them run into rude images of trees, and there an end.

And didn't you see (says the plate) planted upon my own brother that astounding blue willow, with knobbed and gnarled trunk, and foliage of blue ostrich feathers, which gives our family the title of 'willow pattern'? And didn't you observe, transferred upon him at the same time, that blue bridge which spans nothing, growing out from the roots of the willow; and the three blue Chinese going over it into a blue temple, which has a fine crop of blue bushes sprouting out of the roof; and a blue boat sailing above them, the mast of which is burglariously sticking itself into the foundations of a blue villa, suspended sky-high, surmounted by a lump of blue rock, sky-higher, and a couple of billing blue birds, sky-highest - together with the rest of that amusing blue landscape, which has, in deference to our revered ancestors of the Cerulean Empire, and in defiance of every known law of perspective, adorned millions of our family ever since the days of platters? Didn't you inspect the copper-plate on which my pattern was deeply engraved? Didn't you perceive an impression of it taken in cobalt colour at a cylindrical press, upon a leaf of thin paper, streaming from a plunge-bath of soap and water? Wasn't the paper impression daintily spread, by a light-fingered damsel (you KNOW you admired her!), over the surface of the plate, and the back of the paper rubbed prodigiously hard - with a long tight roll of flannel, tied up like a round of hung beef - without so much as ruffling the paper, wet as it was? Then (says the plate), was not the paper washed away with a sponge, and didn't there appear, set off upon the plate, THIS identical piece of Pre-Raphaelite blue distemper which you now behold? Not to be denied! I had seen all this - and more. I had been shown, at Copeland's, patterns of beautiful design, in faultless perspective, which are causing the ugly old willow to wither out of public favour; and which, being quite as cheap, insinuate good wholesome natural art into the humblest households. When Mr. and Mrs. Sprat have satisfied their material tastes by that equal division of fat and lean which has made their MENAGE immortal; and have, after the elegant tradition, 'licked the platter clean,' they can - thanks to modern artists in clay - feast their intellectual tastes upon excellent delineations of natural objects.

This reflection prompts me to transfer my attention from the blue plate to the forlorn but cheerfully painted vase on the sideboard. And surely (says the plate) you have not forgotten how the outlines of such groups of flowers as you see there, are printed, just as I was printed, and are afterwards shaded and filled in with metallic colours by women and girls? As to the aristocracy of our order, made of the finer clay-porcelain peers and peeresses; - the slabs, and panels, and table-tops, and tazze; the endless nobility and gentry of dessert, breakfast, and tea services; the gemmed perfume bottles, and scarlet and gold salvers; you saw that they were painted by artists, with metallic colours laid on with camel-hair pencils, and afterwards burnt in.

And talking of burning in (says the plate), didn't you find that every subject, from the willow pattern to the landscape after Turner - having been framed upon clay or porcelain biscuit - has to be glazed? Of course, you saw the glaze - composed of various vitreous materials - laid over every article; and of course you witnessed the close imprisonment of each piece in saggers upon the separate system rigidly enforced by means of fine-pointed earthenware stilts placed between the articles to prevent the slightest communication or contact. We had in my time - and I suppose it is the same now - fourteen hours' firing to fix the glaze and to make it 'run' all over us equally, so as to put a good shiny and unscratchable surface upon us. Doubtless, you observed that one sort of glaze - called printing-body - is burnt into the better sort of ware BEFORE it is printed. Upon this you saw some of the finest steel engravings transferred, to be fixed by an after glazing - didn't you? Why, of course you did!

Of course I did. I had seen and enjoyed everything that the plate recalled to me, and had beheld with admiration how the rotatory motion which keeps this ball of ours in its place in the great scheme, with all its busy mites upon it, was necessary throughout the process, and could only be dispensed with in the fire. So, listening to the plate's reminders, and musing upon them, I got through the evening after all, and went to bed. I made but one sleep of it - for which I have no doubt I am also indebted to the plate - and left the lonely Dodo in the morning, quite at peace with it, before the bandy-legged baby was up.

Short Story | Prince Bull | Charles Dickens

 

Charles Dickens

Prince Bull

Once upon a time, and of course it was in the Golden Age, and I hope you may know when that was, for I am sure I don't, though I have tried hard to find out, there lived in a rich and fertile country, a powerful Prince whose name was BULL. He had gone through a great deal of fighting, in his time, about all sorts of things, including nothing; but, had gradually settled down to be a steady, peaceable, good-natured, corpulent, rather sleepy Prince.

This Puissant Prince was married to a lovely Princess whose name was Fair Freedom. She had brought him a large fortune, and had borne him an immense number of children, and had set them to spinning, and farming, and engineering, and soldiering, and sailoring, and doctoring, and lawyering, and preaching, and all kinds of trades. The coffers of Prince Bull were full of treasure, his cellars were crammed with delicious wines from all parts of the world, the richest gold and silver plate that ever was seen adorned his sideboards, his sons were strong, his daughters were handsome, and in short you might have supposed that if there ever lived upon earth a fortunate and happy Prince, the name of that Prince, take him for all in all, was assuredly Prince Bull.

But, appearances, as we all know, are not always to be trusted - far from it; and if they had led you to this conclusion respecting Prince Bull, they would have led you wrong as they often have led me.

For, this good Prince had two sharp thorns in his pillow, two hard knobs in his crown, two heavy loads on his mind, two unbridled nightmares in his sleep, two rocks ahead in his course. He could not by any means get servants to suit him, and he had a tyrannical old godmother, whose name was Tape.

She was a Fairy, this Tape, and was a bright red all over. She was disgustingly prim and formal, and could never bend herself a hair's breadth this way or that way, out of her naturally crooked shape. But, she was very potent in her wicked art. She could stop the fastest thing in the world, change the strongest thing into the weakest, and the most useful into the most useless. To do this she had only to put her cold hand upon it, and repeat her own name, Tape. Then it withered away.

At the Court of Prince Bull - at least I don't mean literally at his court, because he was a very genteel Prince, and readily yielded to his godmother when she always reserved that for his hereditary Lords and Ladies - in the dominions of Prince Bull, among the great mass of the community who were called in the language of that polite country the Mobs and the Snobs, were a number of very ingenious men, who were always busy with some invention or other, for promoting the prosperity of the Prince's subjects, and augmenting the Prince's power. But, whenever they submitted their models for the Prince's approval, his godmother stepped forward, laid her hand upon them, and said 'Tape.' Hence it came to pass, that when any particularly good discovery was made, the discoverer usually carried it off to some other Prince, in foreign parts, who had no old godmother who said Tape. This was not on the whole an advantageous state of things for Prince Bull, to the best of my understanding.

The worst of it was, that Prince Bull had in course of years lapsed into such a state of subjection to this unlucky godmother, that he never made any serious effort to rid himself of her tyranny. I have said this was the worst of it, but there I was wrong, because there is a worse consequence still, behind. The Prince's numerous family became so downright sick and tired of Tape, that when they should have helped the Prince out of the difficulties into which that evil creature led him, they fell into a dangerous habit of moodily keeping away from him in an impassive and indifferent manner, as though they had quite forgotten that no harm could happen to the Prince their father, without its inevitably affecting themselves.

Such was the aspect of affairs at the court of Prince Bull, when this great Prince found it necessary to go to war with Prince Bear. He had been for some time very doubtful of his servants, who, besides being indolent and addicted to enriching their families at his expense, domineered over him dreadfully; threatening to discharge themselves if they were found the least fault with, pretending that they had done a wonderful amount of work when they had done nothing, making the most unmeaning speeches that ever were heard in the Prince's name, and uniformly showing themselves to be very inefficient indeed. Though, that some of them had excellent characters from previous situations is not to be denied. Well; Prince Bull called his servants together, and said to them one and all, 'Send out my army against Prince Bear. Clothe it, arm it, feed it, provide it with all necessaries and contingencies, and I will pay the piper! Do your duty by my brave troops,' said the Prince, 'and do it well, and I will pour my treasure out like water, to defray the cost. Who ever heard ME complain of money well laid out!' Which indeed he had reason for saying, inasmuch as he was well known to be a truly generous and munificent Prince.

When the servants heard those words, they sent out the army against Prince Bear, and they set the army tailors to work, and the army provision merchants, and the makers of guns both great and small, and the gunpowder makers, and the makers of ball, shell, and shot; and they bought up all manner of stores and ships, without troubling their heads about the price, and appeared to be so busy that the good Prince rubbed his hands, and (using a favourite expression of his), said, 'It's all right I' But, while they were thus employed, the Prince's godmother, who was a great favourite with those servants, looked in upon them continually all day long, and whenever she popped in her head at the door said, How do you do, my children? What are you doing here?' 'Official business, godmother.' 'Oho!' says this wicked Fairy. '- Tape!' And then the business all went wrong, whatever it was, and the servants' heads became so addled and muddled that they thought they were doing wonders.

Now, this was very bad conduct on the part of the vicious old nuisance, and she ought to have been strangled, even if she had stopped here; but, she didn't stop here, as you shall learn. For, a number of the Prince's subjects, being very fond of the Prince's army who were the bravest of men, assembled together and provided all manner of eatables and drinkables, and books to read, and clothes to wear, and tobacco to smoke, and candies to burn, and nailed them up in great packing-cases, and put them aboard a great many ships, to be carried out to that brave army in the cold and inclement country where they were fighting Prince Bear. Then, up comes this wicked Fairy as the ships were weighing anchor, and says, 'How do you do, my children? What are you doing here?' - 'We are going with all these comforts to the army, godmother.' - 'Oho!' says she. 'A pleasant voyage, my darlings. - Tape!' And from that time forth, those enchanting ships went sailing, against wind and tide and rhyme and reason, round and round the world, and whenever they touched at any port were ordered off immediately, and could never deliver their cargoes anywhere.

This, again, was very bad conduct on the part of the vicious old nuisance, and she ought to have been strangled for it if she had done nothing worse; but, she did something worse still, as you shall learn. For, she got astride of an official broomstick, and muttered as a spell these two sentences, 'On Her Majesty's service,' and 'I have the honour to be, sir, your most obedient servant,' and presently alighted in the cold and inclement country where the army of Prince Bull were encamped to fight the army of Prince Bear. On the sea-shore of that country, she found piled together, a number of houses for the army to live in, and a quantity of provisions for the army to live upon, and a quantity of clothes for the army to wear: while, sitting in the mud gazing at them, were a group of officers as red to look at as the wicked old woman herself. So, she said to one of them, 'Who are you, my darling, and how do you do?' - 'I am the Quartermaster General's Department, godmother, and I am pretty well.' Then she said to another, 'Who are YOU, my darling, and how do YOU do?' - 'I am the Commissariat Department, godmother, and I am pretty well! Then she said to another, 'Who are YOU, my darling, and how do YOU do?' - 'I am the Head of the Medical Department, godmother, and I am pretty well.' Then, she said to some gentlemen scented with lavender, who kept themselves at a great distance from the rest, 'And who are YOU, my pretty pets, and how do YOU do?' And they answered, 'We-aw-are-the-aw-Staff-aw-Department, godmother, and we are very well indeed.' - 'I am delighted to see you all, my beauties,' says this wicked old Fairy, ' - Tape!' Upon that, the houses, clothes, and provisions, all mouldered away; and the soldiers who were sound, fell sick; and the soldiers who were sick, died miserably: and the noble army of Prince Bull perished.

When the dismal news of his great loss was carried to the Prince, he suspected his godmother very much indeed; but, he knew that his servants must have kept company with the malicious beldame, and must have given way to her, and therefore he resolved to turn those servants out of their places. So, he called to him a Roebuck who had the gift of speech, and he said, 'Good Roebuck, tell them they must go.' So, the good Roebuck delivered his message, so like a man that you might have supposed him to be nothing but a man, and they were turned out - but, not without warning, for that they had had a long time.

And now comes the most extraordinary part of the history of this Prince. When he had turned out those servants, of course he wanted others. What was his astonishment to find that in all his dominions, which contained no less than twenty-seven millions of people, there were not above five-and-twenty servants altogether! They were so lofty about it, too, that instead of discussing whether they should hire themselves as servants to Prince Bull, they turned things topsy-turvy, and considered whether as a favour they should hire Prince Bull to be their master! While they were arguing this point among themselves quite at their leisure, the wicked old red Fairy was incessantly going up and down, knocking at the doors of twelve of the oldest of the five-and-twenty, who were the oldest inhabitants in all that country, and whose united ages amounted to one thousand, saying, 'Will YOU hire Prince Bull for your master? - Will YOU hire Prince Bull for your master?' To which one answered, 'I will if next door will;' and another, 'I won't if over the way does;' and another, 'I can't if he, she, or they, might, could, would, or should.' And all this time Prince Bull's affairs were going to rack and ruin.

At last, Prince Bull in the height of his perplexity assumed a thoughtful face, as if he were struck by an entirely new idea. The wicked old Fairy, seeing this, was at his elbow directly, and said, 'How do you do, my Prince, and what are you thinking of?' - 'I am thinking, godmother,' says he, 'that among all the seven-and-twenty millions of my subjects who have never been in service, there are men of intellect and business who have made me very famous both among my friends and enemies.' - 'Aye, truly?' says the Fairy. - 'Aye, truly,' says the Prince. - 'And what then?' says the Fairy. - 'Why, then,' says he, 'since the regular old class of servants do so ill, are so hard to get, and carry it with so high a hand, perhaps I might try to make good servants of some of these.' The words had no sooner passed his lips than she returned, chuckling, 'You think so, do you? Indeed, my Prince? - Tape!' Thereupon he directly forgot what he was thinking of, and cried out lamentably to the old servants, 'O, do come and hire your poor old master! Pray do! On any terms!'

And this, for the present, finishes the story of Prince Bull. I wish I could wind it up by saying that he lived happy ever afterwards, but I cannot in my conscience do so; for, with Tape at his elbow, and his estranged children fatally repelled by her from coming near him, I do not, to tell you the plain truth, believe in the possibility of such an end to it.

Short Story | Public Life of Mr. Tulrumble--Once Mayor of Mudfog | Charles Dickens

 

Charles Dickens

Public Life of Mr. Tulrumble--Once Mayor of Mudfog

Mudfog is a pleasant town--a remarkably pleasant town--situated in a charming hollow by the side of a river, from which river, Mudfog derives an agreeable scent of pitch, tar, coals, and rope-yarn, a roving population in oilskin hats, a pretty steady influx of drunken bargemen, and a great many other maritime advantages. There is a good deal of water about Mudfog, and yet it is not exactly the sort of town for a watering-place, either. Water is a perverse sort of element at the best of times, and in Mudfog it is particularly so. In winter, it comes oozing down the streets and tumbling over the fields,--nay, rushes into the very cellars and kitchens of the houses, with a lavish prodigality that might well be dispensed with; but in the hot summer weather it WILL dry up, and turn green: and, although green is a very good colour in its way, especially in grass, still it certainly is not becoming to water; and it cannot be denied that the beauty of Mudfog is rather impaired, even by this trifling circumstance. Mudfog is a healthy place--very healthy;--damp, perhaps, but none the worse for that. It's quite a mistake to suppose that damp is unwholesome: plants thrive best in damp situations, and why shouldn't men? The inhabitants of Mudfog are unanimous in asserting that there exists not a finer race of people on the face of the earth; here we have an indisputable and veracious contradiction of the vulgar error at once. So, admitting Mudfog to be damp, we distinctly state that it is salubrious.

The town of Mudfog is extremely picturesque. Limehouse and Ratcliff Highway are both something like it, but they give you a very faint idea of Mudfog. There are a great many more public- houses in Mudfog--more than in Ratcliff Highway and Limehouse put together. The public buildings, too, are very imposing. We consider the town-hall one of the finest specimens of shed architecture, extant: it is a combination of the pig-sty and tea- garden-box orders; and the simplicity of its design is of surpassing beauty. The idea of placing a large window on one side of the door, and a small one on the other, is particularly happy. There is a fine old Doric beauty, too, about the padlock and scraper, which is strictly in keeping with the general effect.

In this room do the mayor and corporation of Mudfog assemble together in solemn council for the public weal. Seated on the massive wooden benches, which, with the table in the centre, form the only furniture of the whitewashed apartment, the sage men of Mudfog spend hour after hour in grave deliberation. Here they settle at what hour of the night the public-houses shall be closed, at what hour of the morning they shall be permitted to open, how soon it shall be lawful for people to eat their dinner on church- days, and other great political questions; and sometimes, long after silence has fallen on the town, and the distant lights from the shops and houses have ceased to twinkle, like far-off stars, to the sight of the boatmen on the river, the illumination in the two unequal-sized windows of the town-hall, warns the inhabitants of Mudfog that its little body of legislators, like a larger and better-known body of the same genus, a great deal more noisy, and not a whit more profound, are patriotically dozing away in company, far into the night, for their country's good.

Among this knot of sage and learned men, no one was so eminently distinguished, during many years, for the quiet modesty of his appearance and demeanour, as Nicholas Tulrumble, the well-known coal-dealer. However exciting the subject of discussion, however animated the tone of the debate, or however warm the personalities exchanged, (and even in Mudfog we get personal sometimes,) Nicholas Tulrumble was always the same. To say truth, Nicholas, being an industrious man, and always up betimes, was apt to fall asleep when a debate began, and to remain asleep till it was over, when he would wake up very much refreshed, and give his vote with the greatest complacency. The fact was, that Nicholas Tulrumble, knowing that everybody there had made up his mind beforehand, considered the talking as just a long botheration about nothing at all; and to the present hour it remains a question, whether, on this point at all events, Nicholas Tulrumble was not pretty near right.

Time, which strews a man's head with silver, sometimes fills his pockets with gold. As he gradually performed one good office for Nicholas Tulrumble, he was obliging enough, not to omit the other. Nicholas began life in a wooden tenement of four feet square, with a capital of two and ninepence, and a stock in trade of three bushels and a-half of coals, exclusive of the large lump which hung, by way of sign-board, outside. Then he enlarged the shed, and kept a truck; then he left the shed, and the truck too, and started a donkey and a Mrs. Tulrumble; then he moved again and set up a cart; the cart was soon afterwards exchanged for a waggon; and so he went on like his great predecessor Whittington--only without a cat for a partner--increasing in wealth and fame, until at last he gave up business altogether, and retired with Mrs. Tulrumble and family to Mudfog Hall, which he had himself erected, on something which he attempted to delude himself into the belief was a hill, about a quarter of a mile distant from the town of Mudfog.

About this time, it began to be murmured in Mudfog that Nicholas Tulrumble was growing vain and haughty; that prosperity and success had corrupted the simplicity of his manners, and tainted the natural goodness of his heart; in short, that he was setting up for a public character, and a great gentleman, and affected to look down upon his old companions with compassion and contempt. Whether these reports were at the time well-founded, or not, certain it is that Mrs. Tulrumble very shortly afterwards started a four-wheel chaise, driven by a tall postilion in a yellow cap,--that Mr. Tulrumble junior took to smoking cigars, and calling the footman a 'feller,'--and that Mr. Tulrumble from that time forth, was no more seen in his old seat in the chimney-corner of the Lighterman's Arms at night. This looked bad; but, more than this, it began to be observed that Mr. Nicholas Tulrumble attended the corporation meetings more frequently than heretofore; and he no longer went to sleep as he had done for so many years, but propped his eyelids open with his two forefingers; that he read the newspapers by himself at home; and that he was in the habit of indulging abroad in distant and mysterious allusions to 'masses of people,' and 'the property of the country,' and 'productive power,' and 'the monied interest:' all of which denoted and proved that Nicholas Tulrumble was either mad, or worse; and it puzzled the good people of Mudfog amazingly.

At length, about the middle of the month of October, Mr. Tulrumble and family went up to London; the middle of October being, as Mrs. Tulrumble informed her acquaintance in Mudfog, the very height of the fashionable season.

Somehow or other, just about this time, despite the health- preserving air of Mudfog, the Mayor died. It was a most extraordinary circumstance; he had lived in Mudfog for eighty-five years. The corporation didn't understand it at all; indeed it was with great difficulty that one old gentleman, who was a great stickler for forms, was dissuaded from proposing a vote of censure on such unaccountable conduct. Strange as it was, however, die he did, without taking the slightest notice of the corporation; and the corporation were imperatively called upon to elect his successor. So, they met for the purpose; and being very full of Nicholas Tulrumble just then, and Nicholas Tulrumble being a very important man, they elected him, and wrote off to London by the very next post to acquaint Nicholas Tulrumble with his new elevation.

Now, it being November time, and Mr. Nicholas Tulrumble being in the capital, it fell out that he was present at the Lord Mayor's show and dinner, at sight of the glory and splendour whereof, he, Mr. Tulrumble, was greatly mortified, inasmuch as the reflection would force itself on his mind, that, had he been born in London instead of in Mudfog, he might have been a Lord Mayor too, and have patronized the judges, and been affable to the Lord Chancellor, and friendly with the Premier, and coldly condescending to the Secretary to the Treasury, and have dined with a flag behind his back, and done a great many other acts and deeds which unto Lord Mayors of London peculiarly appertain. The more he thought of the Lord Mayor, the more enviable a personage he seemed. To be a King was all very well; but what was the King to the Lord Mayor! When the King made a speech, everybody knew it was somebody else's writing; whereas here was the Lord Mayor, talking away for half an hour-all out of his own head--amidst the enthusiastic applause of the whole company, while it was notorious that the King might talk to his parliament till he was black in the face without getting so much as a single cheer. As all these reflections passed through the mind of Mr. Nicholas Tulrumble, the Lord Mayor of London appeared to him the greatest sovereign on the face of the earth, beating the Emperor of Russia all to nothing, and leaving the Great Mogul immeasurably behind.

Mr. Nicholas Tulrumble was pondering over these things, and inwardly cursing the fate which had pitched his coal-shed in Mudfog, when the letter of the corporation was put into his hand. A crimson flush mantled over his face as he read it, for visions of brightness were already dancing before his imagination.

'My dear,' said Mr. Tulrumble to his wife, 'they have elected me, Mayor of Mudfog.'

'Lor-a-mussy!' said Mrs. Tulrumble: 'why what's become of old Sniggs?'

'The late Mr. Sniggs, Mrs. Tulrumble,' said Mr. Tulrumble sharply, for he by no means approved of the notion of unceremoniously designating a gentleman who filled the high office of Mayor, as 'Old Sniggs,'--'The late Mr. Sniggs, Mrs. Tulrumble, is dead.'

The communication was very unexpected; but Mrs. Tulrumble only ejaculated 'Lor-a-mussy!' once again, as if a Mayor were a mere ordinary Christian, at which Mr. Tulrumble frowned gloomily.

'What a pity 'tan't in London, ain't it?' said Mrs. Tulrumble, after a short pause; 'what a pity 'tan't in London, where you might have had a show.'

'I MIGHT have a show in Mudfog, if I thought proper, I apprehend,' said Mr. Tulrumble mysteriously.

'Lor! so you might, I declare,' replied Mrs. Tulrumble.

'And a good one too,' said Mr. Tulrumble.

'Delightful!' exclaimed Mrs. Tulrumble.

'One which would rather astonish the ignorant people down there,' said Mr. Tulrumble.

'It would kill them with envy,' said Mrs. Tulrumble.

So it was agreed that his Majesty's lieges in Mudfog should be astonished with splendour, and slaughtered with envy, and that such a show should take place as had never been seen in that town, or in any other town before,--no, not even in London itself.

On the very next day after the receipt of the letter, down came the tall postilion in a post-chaise,--not upon one of the horses, but inside--actually inside the chaise,--and, driving up to the very door of the town-hall, where the corporation were assembled, delivered a letter, written by the Lord knows who, and signed by Nicholas Tulrumble, in which Nicholas said, all through four sides of closely-written, gilt-edged, hot-pressed, Bath post letter paper, that he responded to the call of his fellow-townsmen with feelings of heartfelt delight; that he accepted the arduous office which their confidence had imposed upon him; that they would never find him shrinking from the discharge of his duty; that he would endeavour to execute his functions with all that dignity which their magnitude and importance demanded; and a great deal more to the same effect. But even this was not all. The tall postilion produced from his right-hand top-boot, a damp copy of that afternoon's number of the county paper; and there, in large type, running the whole length of the very first column, was a long address from Nicholas Tulrumble to the inhabitants of Mudfog, in which he said that he cheerfully complied with their requisition, and, in short, as if to prevent any mistake about the matter, told them over again what a grand fellow he meant to be, in very much the same terms as those in which he had already told them all about the matter in his letter.

The corporation stared at one another very hard at all this, and then looked as if for explanation to the tall postilion, but as the tall postilion was intently contemplating the gold tassel on the top of his yellow cap, and could have afforded no explanation whatever, even if his thoughts had been entirely disengaged, they contented themselves with coughing very dubiously, and looking very grave. The tall postilion then delivered another letter, in which Nicholas Tulrumble informed the corporation, that he intended repairing to the town-hall, in grand state and gorgeous procession, on the Monday afternoon next ensuing. At this the corporation looked still more solemn; but, as the epistle wound up with a formal invitation to the whole body to dine with the Mayor on that day, at Mudfog Hall, Mudfog Hill, Mudfog, they began to see the fun of the thing directly, and sent back their compliments, and they'd be sure to come.

Now there happened to be in Mudfog, as somehow or other there does happen to be, in almost every town in the British dominions, and perhaps in foreign dominions too--we think it very likely, but, being no great traveller, cannot distinctly say--there happened to be, in Mudfog, a merry-tempered, pleasant-faced, good-for-nothing sort of vagabond, with an invincible dislike to manual labour, and an unconquerable attachment to strong beer and spirits, whom everybody knew, and nobody, except his wife, took the trouble to quarrel with, who inherited from his ancestors the appellation of Edward Twigger, and rejoiced in the sobriquet of Bottle-nosed Ned. He was drunk upon the average once a day, and penitent upon an equally fair calculation once a month; and when he was penitent, he was invariably in the very last stage of maudlin intoxication. He was a ragged, roving, roaring kind of fellow, with a burly form, a sharp wit, and a ready head, and could turn his hand to anything when he chose to do it. He was by no means opposed to hard labour on principle, for he would work away at a cricket-match by the day together,--running, and catching, and batting, and bowling, and revelling in toil which would exhaust a galley-slave. He would have been invaluable to a fire-office; never was a man with such a natural taste for pumping engines, running up ladders, and throwing furniture out of two-pair-of-stairs' windows: nor was this the only element in which he was at home; he was a humane society in himself, a portable drag, an animated life-preserver, and had saved more people, in his time, from drowning, than the Plymouth life- boat, or Captain Manby's apparatus. With all these qualifications, notwithstanding his dissipation, Bottle-nosed Ned was a general favourite; and the authorities of Mudfog, remembering his numerous services to the population, allowed him in return to get drunk in his own way, without the fear of stocks, fine, or imprisonment. He had a general licence, and he showed his sense of the compliment by making the most of it.

We have been thus particular in describing the character and avocations of Bottle-nosed Ned, because it enables us to introduce a fact politely, without hauling it into the reader's presence with indecent haste by the head and shoulders, and brings us very naturally to relate, that on the very same evening on which Mr. Nicholas Tulrumble and family returned to Mudfog, Mr. Tulrumble's new secretary, just imported from London, with a pale face and light whiskers, thrust his head down to the very bottom of his neckcloth-tie, in at the tap-room door of the Lighterman's Arms, and inquiring whether one Ned Twigger was luxuriating within, announced himself as the bearer of a message from Nicholas Tulrumble, Esquire, requiring Mr. Twigger's immediate attendance at the hall, on private and particular business. It being by no means Mr. Twigger's interest to affront the Mayor, he rose from the fireplace with a slight sigh, and followed the light-whiskered secretary through the dirt and wet of Mudfog streets, up to Mudfog Hall, without further ado.

Mr. Nicholas Tulrumble was seated in a small cavern with a skylight, which he called his library, sketching out a plan of the procession on a large sheet of paper; and into the cavern the secretary ushered Ned Twigger.

'Well, Twigger!' said Nicholas Tulrumble, condescendingly.

There was a time when Twigger would have replied, 'Well, Nick!' but that was in the days of the truck, and a couple of years before the donkey; so, he only bowed.

'I want you to go into training, Twigger,' said Mr. Tulrumble.

'What for, sir?' inquired Ned, with a stare.

'Hush, hush, Twigger!' said the Mayor. 'Shut the door, Mr. Jennings. Look here, Twigger.'

As the Mayor said this, he unlocked a high closet, and disclosed a complete suit of brass armour, of gigantic dimensions.

'I want you to wear this next Monday, Twigger,' said the Mayor.

'Bless your heart and soul, sir!' replied Ned, 'you might as well ask me to wear a seventy-four pounder, or a cast-iron boiler.'

'Nonsense, Twigger, nonsense!' said the Mayor.

'I couldn't stand under it, sir,' said Twigger; 'it would make mashed potatoes of me, if I attempted it.'

'Pooh, pooh, Twigger!' returned the Mayor. 'I tell you I have seen it done with my own eyes, in London, and the man wasn't half such a man as you are, either.'

'I should as soon have thought of a man's wearing the case of an eight-day clock to save his linen,' said Twigger, casting a look of apprehension at the brass suit.

'It's the easiest thing in the world,' rejoined the Mayor.

'It's nothing,' said Mr. Jennings.

'When you're used to it,' added Ned.

'You do it by degrees,' said the Mayor. 'You would begin with one piece to-morrow, and two the next day, and so on, till you had got it all on. Mr. Jennings, give Twigger a glass of rum. Just try the breast-plate, Twigger. Stay; take another glass of rum first. Help me to lift it, Mr. Jennings. Stand firm, Twigger! There!--it isn't half as heavy as it looks, is it?'

Twigger was a good strong, stout fellow; so, after a great deal of staggering, he managed to keep himself up, under the breastplate, and even contrived, with the aid of another glass of rum, to walk about in it, and the gauntlets into the bargain. He made a trial of the helmet, but was not equally successful, inasmuch as he tipped over instantly,--an accident which Mr. Tulrumble clearly demonstrated to be occasioned by his not having a counteracting weight of brass on his legs.

'Now, wear that with grace and propriety on Monday next,' said Tulrumble, 'and I'll make your fortune.'

'I'll try what I can do, sir,' said Twigger.

'It must be kept a profound secret,' said Tulrumble.

'Of course, sir,' replied Twigger.

'And you must be sober,' said Tulrumble; 'perfectly sober.' Mr. Twigger at once solemnly pledged himself to be as sober as a judge, and Nicholas Tulrumble was satisfied, although, had we been Nicholas, we should certainly have exacted some promise of a more specific nature; inasmuch as, having attended the Mudfog assizes in the evening more than once, we can solemnly testify to having seen judges with very strong symptoms of dinner under their wigs. However, that's neither here nor there.

The next day, and the day following, and the day after that, Ned Twigger was securely locked up in the small cavern with the sky- light, hard at work at the armour. With every additional piece he could manage to stand upright in, he had an additional glass of rum; and at last, after many partial suffocations, he contrived to get on the whole suit, and to stagger up and down the room in it, like an intoxicated effigy from Westminster Abbey.

Never was man so delighted as Nicholas Tulrumble; never was woman so charmed as Nicholas Tulrumble's wife. Here was a sight for the common people of Mudfog! A live man in brass armour! Why, they would go wild with wonder!

The day--THE Monday--arrived.

If the morning had been made to order, it couldn't have been better adapted to the purpose. They never showed a better fog in London on Lord Mayor's day, than enwrapped the town of Mudfog on that eventful occasion. It had risen slowly and surely from the green and stagnant water with the first light of morning, until it reached a little above the lamp-post tops; and there it had stopped, with a sleepy, sluggish obstinacy, which bade defiance to the sun, who had got up very blood-shot about the eyes, as if he had been at a drinking-party over-night, and was doing his day's work with the worst possible grace. The thick damp mist hung over the town like a huge gauze curtain. All was dim and dismal. The church steeples had bidden a temporary adieu to the world below; and every object of lesser importance--houses, barns, hedges, trees, and barges--had all taken the veil.

The church-clock struck one. A cracked trumpet from the front garden of Mudfog Hall produced a feeble flourish, as if some asthmatic person had coughed into it accidentally; the gate flew open, and out came a gentleman, on a moist-sugar coloured charger, intended to represent a herald, but bearing a much stronger resemblance to a court-card on horseback. This was one of the Circus people, who always came down to Mudfog at that time of the year, and who had been engaged by Nicholas Tulrumble expressly for the occasion. There was the horse, whisking his tail about, balancing himself on his hind-legs, and flourishing away with his fore-feet, in a manner which would have gone to the hearts and souls of any reasonable crowd. But a Mudfog crowd never was a reasonable one, and in all probability never will be. Instead of scattering the very fog with their shouts, as they ought most indubitably to have done, and were fully intended to do, by Nicholas Tulrumble, they no sooner recognized the herald, than they began to growl forth the most unqualified disapprobation at the bare notion of his riding like any other man. If he had come out on his head indeed, or jumping through a hoop, or flying through a red-hot drum, or even standing on one leg with his other foot in his mouth, they might have had something to say to him; but for a professional gentleman to sit astride in the saddle, with his feet in the stirrups, was rather too good a joke. So, the herald was a decided failure, and the crowd hooted with great energy, as he pranced ingloriously away.

On the procession came. We are afraid to say how many supernumeraries there were, in striped shirts and black velvet caps, to imitate the London watermen, or how many base imitations of running-footmen, or how many banners, which, owing to the heaviness of the atmosphere, could by no means be prevailed on to display their inscriptions: still less do we feel disposed to relate how the men who played the wind instruments, looking up into the sky (we mean the fog) with musical fervour, walked through pools of water and hillocks of mud, till they covered the powdered heads of the running-footmen aforesaid with splashes, that looked curious, but not ornamental; or how the barrel-organ performer put on the wrong stop, and played one tune while the band played another; or how the horses, being used to the arena, and not to the streets, would stand still and dance, instead of going on and prancing;--all of which are matters which might be dilated upon to great advantage, but which we have not the least intention of dilating upon, notwithstanding.

Oh! it was a grand and beautiful sight to behold a corporation in glass coaches, provided at the sole cost and charge of Nicholas Tulrumble, coming rolling along, like a funeral out of mourning, and to watch the attempts the corporation made to look great and solemn, when Nicholas Tulrumble himself, in the four-wheel chaise, with the tall postilion, rolled out after them, with Mr. Jennings on one side to look like a chaplain, and a supernumerary on the other, with an old life-guardsman's sabre, to imitate the sword- bearer; and to see the tears rolling down the faces of the mob as they screamed with merriment. This was beautiful! and so was the appearance of Mrs. Tulrumble and son, as they bowed with grave dignity out of their coach-window to all the dirty faces that were laughing around them: but it is not even with this that we have to do, but with the sudden stopping of the procession at another blast of the trumpet, whereat, and whereupon, a profound silence ensued, and all eyes were turned towards Mudfog Hall, in the confident anticipation of some new wonder.

'They won't laugh now, Mr. Jennings,' said Nicholas Tulrumble.

'I think not, sir,' said Mr. Jennings.

'See how eager they look,' said Nicholas Tulrumble. 'Aha! the laugh will be on our side now; eh, Mr. Jennings?'

'No doubt of that, sir,' replied Mr. Jennings; and Nicholas Tulrumble, in a state of pleasurable excitement, stood up in the four-wheel chaise, and telegraphed gratification to the Mayoress behind.

While all this was going forward, Ned Twigger had descended into the kitchen of Mudfog Hall for the purpose of indulging the servants with a private view of the curiosity that was to burst upon the town; and, somehow or other, the footman was so companionable, and the housemaid so kind, and the cook so friendly, that he could not resist the offer of the first-mentioned to sit down and take something--just to drink success to master in.

So, down Ned Twigger sat himself in his brass livery on the top of the kitchen-table; and in a mug of something strong, paid for by the unconscious Nicholas Tulrumble, and provided by the companionable footman, drank success to the Mayor and his procession; and, as Ned laid by his helmet to imbibe the something strong, the companionable footman put it on his own head, to the immeasurable and unrecordable delight of the cook and housemaid. The companionable footman was very facetious to Ned, and Ned was very gallant to the cook and housemaid by turns. They were all very cosy and comfortable; and the something strong went briskly round.

At last Ned Twigger was loudly called for, by the procession people: and, having had his helmet fixed on, in a very complicated manner, by the companionable footman, and the kind housemaid, and the friendly cook, he walked gravely forth, and appeared before the multitude.

The crowd roared--it was not with wonder, it was not with surprise; it was most decidedly and unquestionably with laughter.

'What!' said Mr. Tulrumble, starting up in the four-wheel chaise. 'Laughing? If they laugh at a man in real brass armour, they'd laugh when their own fathers were dying. Why doesn't he go into his place, Mr. Jennings? What's he rolling down towards us for? he has no business here!'

'I am afraid, sir--' faltered Mr. Jennings.

'Afraid of what, sir?' said Nicholas Tulrumble, looking up into the secretary's face.

'I am afraid he's drunk, sir,' replied Mr. Jennings.

Nicholas Tulrumble took one look at the extraordinary figure that was bearing down upon them; and then, clasping his secretary by the arm, uttered an audible groan in anguish of spirit.

It is a melancholy fact that Mr. Twigger having full licence to demand a single glass of rum on the putting on of every piece of the armour, got, by some means or other, rather out of his calculation in the hurry and confusion of preparation, and drank about four glasses to a piece instead of one, not to mention the something strong which went on the top of it. Whether the brass armour checked the natural flow of perspiration, and thus prevented the spirit from evaporating, we are not scientific enough to know; but, whatever the cause was, Mr. Twigger no sooner found himself outside the gate of Mudfog Hall, than he also found himself in a very considerable state of intoxication; and hence his extraordinary style of progressing. This was bad enough, but, as if fate and fortune had conspired against Nicholas Tulrumble, Mr. Twigger, not having been penitent for a good calendar month, took it into his head to be most especially and particularly sentimental, just when his repentance could have been most conveniently dispensed with. Immense tears were rolling down his cheeks, and he was vainly endeavouring to conceal his grief by applying to his eyes a blue cotton pocket-handkerchief with white spots,--an article not strictly in keeping with a suit of armour some three hundred years old, or thereabouts.

'Twigger, you villain!' said Nicholas Tulrumble, quite forgetting his dignity, 'go back.'

'Never,' said Ned. 'I'm a miserable wretch. I'll never leave you.'

The by-standers of course received this declaration with acclamations of 'That's right, Ned; don't!'

'I don't intend it,' said Ned, with all the obstinacy of a very tipsy man. 'I'm very unhappy. I'm the wretched father of an unfortunate family; but I am very faithful, sir. I'll never leave you.' Having reiterated this obliging promise, Ned proceeded in broken words to harangue the crowd upon the number of years he had lived in Mudfog, the excessive respectability of his character, and other topics of the like nature.

'Here! will anybody lead him away?' said Nicholas: 'if they'll call on me afterwards, I'll reward them well.'

Two or three men stepped forward, with the view of bearing Ned off, when the secretary interposed.

'Take care! take care!' said Mr. Jennings. 'I beg your pardon, sir; but they'd better not go too near him, because, if he falls over, he'll certainly crush somebody.'

At this hint the crowd retired on all sides to a very respectful distance, and left Ned, like the Duke of Devonshire, in a little circle of his own.

'But, Mr. Jennings,' said Nicholas Tulrumble, 'he'll be suffocated.'

'I'm very sorry for it, sir,' replied Mr. Jennings; 'but nobody can get that armour off, without his own assistance. I'm quite certain of it from the way he put it on.'

Here Ned wept dolefully, and shook his helmeted head, in a manner that might have touched a heart of stone; but the crowd had not hearts of stone, and they laughed heartily.

'Dear me, Mr. Jennings,' said Nicholas, turning pale at the possibility of Ned's being smothered in his antique costume--'Dear me, Mr. Jennings, can nothing be done with him?'

'Nothing at all,' replied Ned, 'nothing at all. Gentlemen, I'm an unhappy wretch. I'm a body, gentlemen, in a brass coffin.' At this poetical idea of his own conjuring up, Ned cried so much that the people began to get sympathetic, and to ask what Nicholas Tulrumble meant by putting a man into such a machine as that; and one individual in a hairy waistcoat like the top of a trunk, who had previously expressed his opinion that if Ned hadn't been a poor man, Nicholas wouldn't have dared do it, hinted at the propriety of breaking the four-wheel chaise, or Nicholas's head, or both, which last compound proposition the crowd seemed to consider a very good notion.

It was not acted upon, however, for it had hardly been broached, when Ned Twigger's wife made her appearance abruptly in the little circle before noticed, and Ned no sooner caught a glimpse of her face and form, than from the mere force of habit he set off towards his home just as fast as his legs could carry him; and that was not very quick in the present instance either, for, however ready they might have been to carry HIM, they couldn't get on very well under the brass armour. So, Mrs. Twigger had plenty of time to denounce Nicholas Tulrumble to his face: to express her opinion that he was a decided monster; and to intimate that, if her ill-used husband sustained any personal damage from the brass armour, she would have the law of Nicholas Tulrumble for manslaughter. When she had said all this with due vehemence, she posted after Ned, who was dragging himself along as best he could, and deploring his unhappiness in most dismal tones.

What a wailing and screaming Ned's children raised when he got home at last! Mrs. Twigger tried to undo the armour, first in one place, and then in another, but she couldn't manage it; so she tumbled Ned into bed, helmet, armour, gauntlets, and all. Such a creaking as the bedstead made, under Ned's weight in his new suit! It didn't break down though; and there Ned lay, like the anonymous vessel in the Bay of Biscay, till next day, drinking barley-water, and looking miserable: and every time he groaned, his good lady said it served him right, which was all the consolation Ned Twigger got.

Nicholas Tulrumble and the gorgeous procession went on together to the town-hall, amid the hisses and groans of all the spectators, who had suddenly taken it into their heads to consider poor Ned a martyr. Nicholas was formally installed in his new office, in acknowledgment of which ceremony he delivered himself of a speech, composed by the secretary, which was very long, and no doubt very good, only the noise of the people outside prevented anybody from hearing it, but Nicholas Tulrumble himself. After which, the procession got back to Mudfog Hall any how it could; and Nicholas and the corporation sat down to dinner.

But the dinner was flat, and Nicholas was disappointed. They were such dull sleepy old fellows, that corporation. Nicholas made quite as long speeches as the Lord Mayor of London had done, nay, he said the very same things that the Lord Mayor of London had said, and the deuce a cheer the corporation gave him. There was only one man in the party who was thoroughly awake; and he was insolent, and called him Nick. Nick! What would be the consequence, thought Nicholas, of anybody presuming to call the Lord Mayor of London 'Nick!' He should like to know what the sword-bearer would say to that; or the recorder, or the toast- master, or any other of the great officers of the city. They'd nick him.

But these were not the worst of Nicholas Tulrumble's doings. If they had been, he might have remained a Mayor to this day, and have talked till he lost his voice. He contracted a relish for statistics, and got philosophical; and the statistics and the philosophy together, led him into an act which increased his unpopularity and hastened his downfall.

At the very end of the Mudfog High-street, and abutting on the river-side, stands the Jolly Boatmen, an old-fashioned low-roofed, bay-windowed house, with a bar, kitchen, and tap-room all in one, and a large fireplace with a kettle to correspond, round which the working men have congregated time out of mind on a winter's night, refreshed by draughts of good strong beer, and cheered by the sounds of a fiddle and tambourine: the Jolly Boatmen having been duly licensed by the Mayor and corporation, to scrape the fiddle and thumb the tambourine from time, whereof the memory of the oldest inhabitants goeth not to the contrary. Now Nicholas Tulrumble had been reading pamphlets on crime, and parliamentary reports,--or had made the secretary read them to him, which is the same thing in effect,--and he at once perceived that this fiddle and tambourine must have done more to demoralize Mudfog, than any other operating causes that ingenuity could imagine. So he read up for the subject, and determined to come out on the corporation with a burst, the very next time the licence was applied for.

The licensing day came, and the red-faced landlord of the Jolly Boatmen walked into the town-hall, looking as jolly as need be, having actually put on an extra fiddle for that night, to commemorate the anniversary of the Jolly Boatmen's music licence. It was applied for in due form, and was just about to be granted as a matter of course, when up rose Nicholas Tulrumble, and drowned the astonished corporation in a torrent of eloquence. He descanted in glowing terms upon the increasing depravity of his native town of Mudfog, and the excesses committed by its population. Then, he related how shocked he had been, to see barrels of beer sliding down into the cellar of the Jolly Boatmen week after week; and how he had sat at a window opposite the Jolly Boatmen for two days together, to count the people who went in for beer between the hours of twelve and one o'clock alone--which, by-the-bye, was the time at which the great majority of the Mudfog people dined. Then, he went on to state, how the number of people who came out with beer-jugs, averaged twenty-one in five minutes, which, being multiplied by twelve, gave two hundred and fifty-two people with beer-jugs in an hour, and multiplied again by fifteen (the number of hours during which the house was open daily) yielded three thousand seven hundred and eighty people with beer-jugs per day, or twenty-six thousand four hundred and sixty people with beer-jugs, per week. Then he proceeded to show that a tambourine and moral degradation were synonymous terms, and a fiddle and vicious propensities wholly inseparable. All these arguments he strengthened and demonstrated by frequent references to a large book with a blue cover, and sundry quotations from the Middlesex magistrates; and in the end, the corporation, who were posed with the figures, and sleepy with the speech, and sadly in want of dinner into the bargain, yielded the palm to Nicholas Tulrumble, and refused the music licence to the Jolly Boatmen.

But although Nicholas triumphed, his triumph was short. He carried on the war against beer-jugs and fiddles, forgetting the time when he was glad to drink out of the one, and to dance to the other, till the people hated, and his old friends shunned him. He grew tired of the lonely magnificence of Mudfog Hall, and his heart yearned towards the Lighterman's Arms. He wished he had never set up as a public man, and sighed for the good old times of the coal- shop, and the chimney corner.

At length old Nicholas, being thoroughly miserable, took heart of grace, paid the secretary a quarter's wages in advance, and packed him off to London by the next coach. Having taken this step, he put his hat on his head, and his pride in his pocket, and walked down to the old room at the Lighterman's Arms. There were only two of the old fellows there, and they looked coldly on Nicholas as he proffered his hand.

'Are you going to put down pipes, Mr. Tulrumble?' said one.

'Or trace the progress of crime to 'bacca?' growled another.

'Neither,' replied Nicholas Tulrumble, shaking hands with them both, whether they would or not. 'I've come down to say that I'm very sorry for having made a fool of myself, and that I hope you'll give me up the old chair, again.'

The old fellows opened their eyes, and three or four more old fellows opened the door, to whom Nicholas, with tears in his eyes, thrust out his hand too, and told the same story. They raised a shout of joy, that made the bells in the ancient church-tower vibrate again, and wheeling the old chair into the warm corner, thrust old Nicholas down into it, and ordered in the very largest- sized bowl of hot punch, with an unlimited number of pipes, directly.

The next day, the Jolly Boatmen got the licence, and the next night, old Nicholas and Ned Twigger's wife led off a dance to the music of the fiddle and tambourine, the tone of which seemed mightily improved by a little rest, for they never had played so merrily before. Ned Twigger was in the very height of his glory, and he danced hornpipes, and balanced chairs on his chin, and straws on his nose, till the whole company, including the corporation, were in raptures of admiration at the brilliancy of his acquirements.

Mr. Tulrumble, junior, couldn't make up his mind to be anything but magnificent, so he went up to London and drew bills on his father; and when he had overdrawn, and got into debt, he grew penitent, and came home again.

As to old Nicholas, he kept his word, and having had six weeks of public life, never tried it any more. He went to sleep in the town-hall at the very next meeting; and, in full proof of his sincerity, has requested us to write this faithful narrative. We wish it could have the effect of reminding the Tulrumbles of another sphere, that puffed-up conceit is not dignity, and that snarling at the little pleasures they were once glad to enjoy, because they would rather forget the times when they were of lower station, renders them objects of contempt and ridicule.

This is the first time we have published any of our gleanings from this particular source. Perhaps, at some future period, we may venture to open the chronicles of Mudfog.

Short Story | The Child's Story | Charles Dickens

 

Charles Dickens

The Child's Story

Once upon a time, a good many years ago, there was a traveller, and he set out upon a journey. It was a magic journey, and was to seem very long when he began it, and very short when he got half way through.

He travelled along a rather dark path for some little time, without meeting anything, until at last he came to a beautiful child. So he said to the child, "What do you do here?" And the child said, "I am always at play. Come and play with me!"

So, he played with that child, the whole day long, and they were very merry. The sky was so blue, the sun was so bright, the water was so sparkling, the leaves were so green, the flowers were so lovely, and they heard such singing-birds and saw so many butterflies, that everything was beautiful. This was in fine weather. When it rained, they loved to watch the falling drops, and to smell the fresh scents. When it blew, it was delightful to listen to the wind, and fancy what it said, as it came rushing from its home-- where was that, they wondered!--whistling and howling, driving the clouds before it, bending the trees, rumbling in the chimneys, shaking the house, and making the sea roar in fury. But, when it snowed, that was best of all; for, they liked nothing so well as to look up at the white flakes falling fast and thick, like down from the breasts of millions of white birds; and to see how smooth and deep the drift was; and to listen to the hush upon the paths and roads.

They had plenty of the finest toys in the world, and the most astonishing picture-books: all about scimitars and slippers and turbans, and dwarfs and giants and genii and fairies, and blue-beards and bean-stalks and riches and caverns and forests and Valentines and Orsons: and all new and all true.

But, one day, of a sudden, the traveller lost the child. He called to him over and over again, but got no answer. So, he went upon his road, and went on for a little while without meeting anything, until at last he came to a handsome boy. So, he said to the boy, "What do you do here?" And the boy said, "I am always learning. Come and learn with me."

So he learned with that boy about Jupiter and Juno, and the Greeks and the Romans, and I don't know what, and learned more than I could tell--or he either, for he soon forgot a great deal of it. But, they were not always learning; they had the merriest games that ever were played. They rowed upon the river in summer, and skated on the ice in winter; they were active afoot, and active on horseback; at cricket, and all games at ball; at prisoner's base, hare and hounds, follow my leader, and more sports than I can think of; nobody could beat them. They had holidays too, and Twelfth cakes, and parties where they danced till midnight, and real Theatres where they saw palaces of real gold and silver rise out of the real earth, and saw all the wonders of the world at once. As to friends, they had such dear friends and so many of them, that I want the time to reckon them up. They were all young, like the handsome boy, and were never to be strange to one another all their lives through.

Still, one day, in the midst of all these pleasures, the traveller lost the boy as he had lost the child, and, after calling to him in vain, went on upon his journey. So he went on for a little while without seeing anything, until at last he came to a young man. So, he said to the young man, "What do you do here?" And the young man said, "I am always in love. Come and love with me."

So, he went away with that young man, and presently they came to one of the prettiest girls that ever was seen--just like Fanny in the corner there--and she had eyes like Fanny, and hair like Fanny, and dimples like Fanny's, and she laughed and coloured just as Fanny does while I am talking about her. So, the young man fell in love directly--just as Somebody I won't mention, the first time he came here, did with Fanny. Well! he was teased sometimes--just as Somebody used to be by Fanny; and they quarrelled sometimes--just as Somebody and Fanny used to quarrel; and they made it up, and sat in the dark, and wrote letters every day, and never were happy asunder, and were always looking out for one another and pretending not to, and were engaged at Christmas-time, and sat close to one another by the fire, and were going to be married very soon--all exactly like Somebody I won't mention, and Fanny!

But, the traveller lost them one day, as he had lost the rest of his friends, and, after calling to them to come back, which they never did, went on upon his journey. So, he went on for a little while without seeing anything, until at last he came to a middle-aged gentleman. So, he said to the gentleman, "What are you doing here?" And his answer was, "I am always busy. Come and be busy with me!"

So, he began to be very busy with that gentleman, and they went on through the wood together. The whole journey was through a wood, only it had been open and green at first, like a wood in spring; and now began to be thick and dark, like a wood in summer; some of the little trees that had come out earliest, were even turning brown. The gentleman was not alone, but had a lady of about the same age with him, who was his Wife; and they had children, who were with them too. So, they all went on together through the wood, cutting down the trees, and making a path through the branches and the fallen leaves, and carrying burdens, and working hard.

Sometimes, they came to a long green avenue that opened into deeper woods. Then they would hear a very little, distant voice crying, "Father, father, I am another child! Stop for me!" And presently they would see a very little figure, growing larger as it came along, running to join them. When it came up, they all crowded round it, and kissed and welcomed it; and then they all went on together.

Sometimes, they came to several avenues at once, and then they all stood still, and one of the children said, "Father, I am going to sea," and another said, "Father, I am going to India," and another, "Father, I am going to seek my fortune where I can," and another, "Father, I am going to Heaven!" So, with many tears at parting, they went, solitary, down those avenues, each child upon its way; and the child who went to Heaven, rose into the golden air and vanished.

Whenever these partings happened, the traveller looked at the gentleman, and saw him glance up at the sky above the trees, where the day was beginning to decline, and the sunset to come on. He saw, too, that his hair was turning grey. But, they never could rest long, for they had their journey to perform, and it was necessary for them to be always busy.

At last, there had been so many partings that there were no children left, and only the traveller, the gentleman, and the lady, went upon their way in company. And now the wood was yellow; and now brown; and the leaves, even of the forest trees, began to fall.

So, they came to an avenue that was darker than the rest, and were pressing forward on their journey without looking down it when the lady stopped.

"My husband," said the lady. "I am called."

They listened, and they heard a voice a long way down the avenue, say, "Mother, mother!"

It was the voice of the first child who had said, "I am going to Heaven!" and the father said, "I pray not yet. The sunset is very near. I pray not yet!"

But, the voice cried, "Mother, mother!" without minding him, though his hair was now quite white, and tears were on his face.

Then, the mother, who was already drawn into the shade of the dark avenue and moving away with her arms still round his neck, kissed him, and said, "My dearest, I am summoned, and I go!" And she was gone. And the traveller and he were left alone together.

And they went on and on together, until they came to very near the end of the wood: so near, that they could see the sunset shining red before them through the trees.

Yet, once more, while he broke his way among the branches, the traveller lost his friend. He called and called, but there was no reply, and when he passed out of the wood, and saw the peaceful sun going down upon a wide purple prospect, he came to an old man sitting on a fallen tree. So, he said to the old man, "What do you do here?" And the old man said with a calm smile, "I am always remembering. Come and remember with me!"

So the traveller sat down by the side of that old man, face to face with the serene sunset; and all his friends came softly back and stood around him. The beautiful child, the handsome boy, the young man in love, the father, mother, and children: every one of them was there, and he had lost nothing. So, he loved them all, and was kind and forbearing with them all, and was always pleased to watch them all, and they all honoured and loved him. And I think the traveller must be yourself, dear Grandfather, because this is what you do to us, and what we do to you.