Short Story | The Flood | Emile Zola

Emile Zola

The Flood

I.

My name is Louis Roubien. I am seventy years old. I was born in the village of Saint-Jory, several miles up the Garonne from Toulouse.

For fourteen years I battled with the earth for my daily bread. At last, prosperity smiled on we, and last month I was still the richest farmer in the parish.

Our house seemed blessed, happiness reigned there. The sun was our brother, and I cannot recall a bad crop. We were almost a dozen on the farm. There was myself, still hale and hearty, leading the children to work; then my young brother, Pierre, an old bachelor and retired sergeant; then my sister, Agathe, who came to us after the death of her husband. She was a commanding woman, enormous and gay, whose laugh could be heard at the other end of the village. Then came all the brood: my son, Jacques; his wife, Rosie, and their three daughters, Aimee, Veronique, and Marie. The first named was married to Cyprica Bouisson, a big jolly fellow, by whom she had two children, one two years old and the other ten months. Veronique was just betrothed, and was soon to marry Gaspard Rabuteau. The third, Marie, was a real young lady, so white, so fair, that she looked as if born in the city.

That made ten, counting everybody. I was a grandfather and a great-grandfather. When we were at table I had my sister, Agathe, at my right, and my brother, Pierre, at my left. The children formed a circle,seated according to age, with the heads diminishing down to the baby of ten months, who already ate his soup like a man. And let me tell you that the spoons in the plates made a clatter. The brood had hearty appetites. And what gayety between the mouthfuls! I was filled with pride and joy when the little ones held out their hands toward me, crying:

"Grandpa, give us some bread! A big piece, grandpa!"

Oh! the good days! Our farm sang from every corner. In the evening, Pierre invented games and related stories of his regiment. On Sunday Agathe made cakes for the girls. Marie knew some canticles, which she sang like a chorister. She looked like a saint, with her blond hair falling on her neck and her hands folded on her apron.

I had built another story on the house when Aimee had married Cyprien; and I said laughingly that I would have to build another after the wedding of Veronique and Gaspard. We never cared to leave each other. We would sooner have built a city behind the farm, in our enclosure. When families are united, it is so good to live and die where one has grown up!

The month of May had been magnificent that year. It was long since the crops gave such good promise. That day precisely, I had made a tour of inspection with my son, Jacques. We started at about three o'clock. Our meadows on the banks of the Garonne were of a tender green. The grass was three feet high, and an osier thicket, planted the year before, had sprouts a yard high. From there we went to visit our wheat and our vines, fields bought one by one as fortune came to us. The wheat was growing strong; the vines, in full flower, promised a superb vintage. And Jacques laughed his good laugh as he slapped me on the shoulder.

"Well, father, we shall never want for bread nor for wine. You must be a friend of the Divine Power to have silver showered upon your land in this way."

We often joked among ourselves of our past poverty. Jacques was right. I must have gained the friendship of some saint or of God himself, for all the luck in the country was for us. When it hailed the hail ceased on the border of our fields. If the vines of our neighbors fell sick, ours seemed to have a wall of protection around them. And in the end I grew to consider it only just. Never doing harm to any one, I thought that happiness was my due.

As we approached the house, Rose gesticulated, calling out:

"Hurry up!"

One of our cows had just had a calf, and everybody was excited. The birth of that little beast seemed one more blessing. We had been obliged recently to enlarge the stables, where we had nearly one hundred head of animals--cows and sheep, without counting the horses.

"Well, a good day's work!" I cried. "We will drink to-night a bottle of ripened wine."

Meanwhile, Rose took us aside and told us that Gaspard, Veronique's betrothed, had come to arrange the day for the wedding. She had invited him to remain for dinner.

Gaspard, the oldest son of a farmer of Moranges, was a big boy of twenty years, known throughout the country for his prodigious strength. During a festival at Toulouse he had vanquished Martial, the "Lion of the Midi." With that, a nice boy, with a heart of gold. He was even timid, and he blushed when Veronique looked him squarely in the face.

I told Rose to call him. He was at the bottom of the yard, helping our servants to spread out the freshly-washed linen. When he entered the dining room, where we were, Jacques turned toward me, saying:

"You speak, father."

"Well," I said, "you have come, my boy, to have us set the great day?"

"Yes, that is it, Father Roubien," he answered, very red.

"You mustn't blush, my boy," I continued. "It will be, if you wish, on Saint- Felicite day, the 10th of July. This is the 23rd of June, so you will have only twenty days to wait. My poor dead wife was called Felicite, and that will bring you happiness. Well? Is it understood?"

"Yes, that will do--Sainte-Felicite day. Father Roubien."

And he gave each of us a grip that made us wince. Then he embraced Rose, calling her mother. This big boy with the terrific fists loved Veronique to the point of losing his appetite.

Now," I continued, "you must remain for dinner. Well, everybody to the table. I have a thundering appetite, I have."

That evening we were eleven at table. Gaspard was placed next to Veronique, and he sat looking at her, forgetting his plate, so moved at the thought of her belonging to him that, at times, the tears sprang to his eyes. Cyprien and Aimee, married only three years, smiled. Jacques and Rose, who had had twenty-five years of married life, were more serious, but, surreptitiously, they exchanged tender glances. As for me, I seemed to relive in those two sweethearts, whose happiness seemed to bring a corner of Paradise to our table. What good soup we had that evening! Aunt Agathe, always ready with a witticism, risked several jokes. Then that honest Pierre wanted to relate his love affair with a young lady of Lyons. Fortunately, we were at the dessert, and every one was talking at once. I had brought two bottles of mellowed wine from the cellar. We drank to the good fortune of Gaspard and Veronique. Then we had singing. Gaspard knew some love songs in dialect. We also asked Marie for a canticle. She stood up and sang in a flute-like voice that tickled one's ears.

I went to the window, and Gaspard joined me there.

"Is there no news up your way?" I asked him.

"No," he answered. "There is considerable talk about the heavy rains of the last few days. Some seem to think that they will cause trouble."

In effect, it had rained for sixty hours without stopping. The Garonne was very much swollen since the preceding day, but we had confidence in it, and, as long as it did not overflow its banks, we could not look on it as a bad neighbor.

"Bah!" I exclaimed, shrugging my shoulders. "Nothing will happen. It is the same every year. The river puts up her back as if she were furious, and she calms down in a night. You will see, my boy, that it will amount to nothing this time. See how beautiful the weather is!"

And I pointed to the sky. It was seven o'clock; the sun was setting. The sky was blue, an immense blue sheet of profound purity, in which the rays of the setting sun were like a golden dust. Never had I seen the village drowsing in so sweet a peace. Upon the tiled roofs a rosy tint was fading. I heard a neighbor's laugh, then the voices of children at the turn in the road in front of our place. Farther away and softened by the distance, rose the sounds of flocks entering their sheds. The great voice of the Garonne roared continually; but it was to me as the voice of the silence, so accustomed to it was I.

Little by little the sky paled; the village became more drowsy. It was the evening of a beautiful day; and I thought that all our good fortune--the big harvests, the happy house, the betrothal of Veronique--came to us from above in the purity of the dying light. A benediction spread over us with the farewell of the evening.

Meanwhile I had returned to the center of the room. The girls were chattering. We listened to them, smiling. Suddenly, across the serenity of the country, a terrible cry sounded, a cry of distress and death:

"The Garonne! The Garonne!"

II.

We rushed out into the yard.

Saint-Jory is situated at the bottom of a slope at about five hundred yards from the Garonne. Screens of tall poplars that divide the meadows, hide the river completely.

We could see nothing. And still the cry rang out:

"The Garonne! The Garonne!"

Suddenly, on the wide road before us, appeared two men and three women, one of them holding a child in her arms. It was they who were crying out, distracted, running with long strides. They turned at times, looking behind with terrified faces, as if a band of wolves was pursuing them.

"What's the matter with them?" demanded Cyprien. "Do you see anything, grandfather?"

"No," I answered. "The leaves are not even moving."

I was still talking when an exclamation burst from us. Behind the fugitives there appeared, between the trunks of the poplars, amongst the large tufts of grass, what looked like a pack of gray beasts speckled with yellow. They sprang up from all directions, waves crowding waves, a helter-skelter of masses of foaming water, shaking the sod with the rumbling gallop of their hordes.

It was our turn to send forth the despairing cry:

"The Garonne! The Garonne!"

The two men and the three women were still running on the road. They heard the terrible gallop gaining on them. Now the waves arrived in a single line, rolling, tumbling with the thunder of a charging battalion. With their first shock they had broken three poplars; the tall foliage sank and disappeared. A wooden cabin was swallowed up, a wall was demolished; heavy carts were carried away like straws. But the water seemed, above all, to pursue the fugitives. At the bend in the road, where there was a steep slope, it fell suddenly in an immense sheet and cut off retreat. They continued to run, nevertheless, splashing through the water, no longer shouting, mad with terror. The water swirled about their knees. An enormous wave felled the woman who was carrying the child. Then all were engulfed.

"Quick! Quick!" I cried. "We must get into the house. It is solid--we have nothing to fear."

We took refuge upstairs. The house was built on a hillock above the road. The water invaded the yard, softly, with a little rippling noise. We were not much frightened.

"Bah!" said Jacques, to reassure every one, "this will not amount to anything. You remember, father, in '55, the water came up into the yard. It was a foot deep. Then it receded."

"It is disastrous for the crops, just the same," murmured Cyprien.

"No, it will not be anything," I said, seeing the large questioning eyes of our girls.

Aimee had put her two children into the bed. She sat beside them, with Veronique and Marie. Aunt Agathe spoke of heating some wine she had brought up, to give us courage.

Jacques and Rose were looking out of a window. I was at the other, with my brother Pierre, Cyprien and Gaspard.

"Come up!" I cried to our two servants, who were wading in the yard. "Don't stay there and get all wet."

"But the animals?" they asked. "They are afraid. They are killing each other in the barn."

"No, no; come up! After a while we'll see to them."

The rescue of the animals would be impossible, if the disaster was to attain greater proportions. I thought it unnecessary to frighten the family. So I forced myself to appear hopeful. Leaning on the windowsill, I indicated the progress of the flood. The river, after its attack on the village, was in possession even to the narrowest streets. It was no longer a galloping charge, but a slow and invincible strangulation. The hollow in the bottom of which Saint-Jory is built was changed into a lake. In our yard the water was soon three feet deep. But I asserted that it remained stationary--I even went so far as to pretend that it was going down.

"Well, you will be obliged to sleep here to-night, my boy," I said, turning to Gaspard. "That is, unless the roads are free in a couple of hours--which is quite possible."

He looked at me without answering, his face quite pale; and I saw him look at Veronique with an expression of anguish.

It was half-past eight o'clock. It was still daylight--a pale, sad light beneath the blanched sky. The servants had had the forethought to bring up two lamps with them. I had them lighted, thinking that they would brighten up the somber room. Aunt Agathe, who had rolled a table to the middle of the room, wished to organize a card party. The worthy woman, whose eyes sought mine momentarily, thought above all of diverting the children. Her good humor kept up a superb bravery; and she laughed to combat the terror that she felt growing around her. She forcibly placed Aimee, Veronique, and Marie at the table. She put the cards into their hands, took a hand herself with an air of intense interest, shuffling, cutting, dealing with such a flow of talk that she almost drowned the noise of the water. But our girls could not be diverted; they were pale, with feverish hands, and ears on the alert. Every few moments there was a pause in the play. One of them would turn to me, asking in a low voice:

"Grandpa, is it still rising?"

"No, no. Go on with the game. There is no danger."

Never had my heart been gripped by such agony. All the men placed themselves at the windows to hide the terrifying sight. We tried to smile, turned toward the peaceful lamps that threw discs of light upon the table. I recalled our winter evenings, when we gathered around the table. It was the same quiet interior, filled with the warmth of affection. And while peace was there I heard behind me the roaring of the escaped river, that was constantly rising.

"Louis," said my brother Pierre, "the water is within three feet of the window. We ought to tell them."

I hushed him up by pressing his arm. But it was no longer possible to hide the peril. In our barns the animals were killing each other. There were bleatings and bellowings from the crazed herds; and the horses gave the harsh cries that can be heard at great distances when they are in danger of death.

"My God! My God!" cried Aimee, who stood up, pressing her hands to her temples.

They all ran to the windows. There they remained, mute, their hair rising with fear. A dim light floated above the yellow sheet of water. The pale sky looked like a white cloth thrown over the earth. In the distance trailed some smoke. Everything was misty. It was the terrified end of a day melting into a night of death. And not a human sound, nothing but the roaring of that sea stretching to infinity; nothing but the bellowings and the neighings of the animals.

"My God! My God!" repeated the women, in low voices, as if they feared to speak aloud.

A terrible cracking silenced the exclamations. The maddened animals had burst open the doors of the stables. They passed in the yellow flood, rolled about, carried away by the current. The sheep were tossed about like dead leaves, whirling in bands in the eddies. The cows and the horses struggled, tried to walk, and lost their footing. Our big gray horse fought long for life. He stretched his neck, he reared, snorting like a forge. But the enraged waters took him by the crupper, and we saw him, beaten, abandon himself.

Then we gave way for the first time. We felt the need of tears. Our hands stretched out to those dear animals that were being borne away, we lamented, giving vent to the tears and the sobs that we had suppressed. Ah! what ruin! The harvests destroyed, the cattle drowned, our fortunes changed in a few hours! God was not just! We had done nothing against Him, and He was taking everything from us! I shook my fist at the horizon. I spoke of our walk that afternoon, of our meadows, our wheat and vines that we had found so full of promise. It was all a lie, then! The sun lied when he sank, so sweet and calm, in the midst of the evening's serenity.

The water was still rising. Pierre, who was watching it, cried:

"Louis, we must look out! The water is up to the window!"

That warning snatched us from our spell of despair. I was once more myself. Shrugging my shoulders, I said:

"Money is nothing. As long as we are all saved, there need be no regrets. We shall have to work again--that is all!"

"Yes, yes; you are right, father," said Jacques, feverishly. "And we run no danger--the walls are good and strong. We must get up on the roof."

That was the only refuge left us. The water, which had mounted the stairs step by step, was already coming through the door. We rushed to the attic in a group, holding close to each other. Cyprien had disappeared. I called him, and I saw him return from the next room, his face working with emotion. Then, as I remarked the absence of the servants, for whom I was waiting,he gave me a strange look, then said, in a suppressed voice:

"Dead! The corner of the shed under their room caved in."

The poor girls must have gone to fetch their savings from their trunks. I told him to say nothing about it. A cold shiver had passed over me. It was Death entering the house.

When we went up, in our turn, we did not even think of putting out the lights. The cards remained spread upon the table. There was already a foot of water in the room.

III.

Fortunately, the roof was vast and sloped gently. We reached it through a lid- like window, above which was a sort of platform. It was there that we took refuge. The women seated themselves. The men went over the tiles to reconnoitre. From my post against the dormer window through which we had climbed, I examined the four points of the horizon.

"Help cannot fail to arrive," I said, bravely. "The people of Saintin have boats; they will come this way. Look over there! Isn't that a lantern on the water?"

But no one answered me. Pierre had lighted his pipe, and he was smoking so furiously that, at each puff, he spit out pieces of the stem. Jacques and Cyprien looked into the distance, with drawn faces; while Gaspard, clenching his fists, continued to walk about, seeking an issue. At our feet the women, silent and shivering, hid their faces to shut out the sight. Yet Rose raised her head, glanced about her and demanded:

"And the servants? Where are they? Why, aren't they here?"

I avoided answering. She then questioned me, her eyes on mine.

"Where are the servants?"

I turned away, unable to lie. I felt that chill that had already brushed me pass over our women and our dear girls. They had understood. Marie burst into tears. Aimee wrapped her two children in her skirt, as if to protect them. Veronique, her face in her hands, did not move. Aunt Agathe, very pale, made the sign of the cross, and mumbled Paters and Aves.

Meanwhile the spectacle about us became of sovereign grandeur. The night retained the clearness of a summer night. There was no moon, but the sky was sprinkled with stars, and was of so pure a blue that it seemed to fill space with a blue light. And the immense sheet of water expanded beneath the softness of the sky. We could no longer see any land.

"The water is rising; the water is rising!" repeated my brother Pierre, still crunching the stem of his pipe between his teeth.

The water was within a yard of the roof. It was losing its tranquility; currents were being formed. In less than an hour the water became threatening, dashing against the house, bearing drifting barrels, pieces of wood, clumps of weeds. In the distance there were attacks upon walls, and we could hear the resounding shocks. Poplar trees fell, houses crumbled, like a cartload of stones emptied by the roadside.

Jacques, unnerved by the sobs of the women, cried:

"We can't stay here. We must try something. Father, I beg of you, try to do something."

I stammered after him:

"Yes, yes; let us try to do something."

And we knew of nothing. Gaspard offered to take Veronique on his back and swim with her to a place of safety. Pierre suggested a raft. Cyprien finally said:

"If we could only reach the church!"

Above the waters the church remained standing, with its little square steeple. We were separated from it by seven houses. Our farmhouse, the first of the village, adjoined a higher building, which, in turn, leaned against the next. Perhaps, by way of the roofs, we would be able to reach the parsonage. A number of people must have taken refuge there already, for the neighboring roofs were vacant, and we could hear voices that surely came from the steeple. But what dangers must be run to reach them!

"It is impossible," said Pierre. "The house of the Raimbeaus is too high; we would need ladders."

"I am going to try it," said Cyprien. "I will return if the way is impracticable. Otherwise, we will all go and we will have to carry the girls."

I let him go. He was right. We had to try the impossible. He had succeeded, by the aid of an iron hook fixed in a chimney, in climbing to the next house, when his wife, Aimee, raising her head, noticed that he was no longer with us. She screamed:

"Where is he? I don't want him to leave me! We are together, we shall die together!"

When she saw him on the top of the house she ran over the tiles, still holding her children. And she called out:

"Cyprien, wait for me! I am going with you. I am going to die with you."

She persisted. He leaned over, pleading with her, promising to come back, telling her that he was going for the rescue of all of us. But, with a wild air, she shook her head, repeating "I am going with you! I am going with you!"

He had to take the children. Then he helped her up. We could follow them along the crest of the house. They walked slowly. She had taken the children again, and at every step he turned and supported her.

"Get her to a safe place, and return!" I shouted.

I saw him wave his hand, but the roaring of the water prevented my hearing his answer. Soon we could not see them. They had descended to the roof of the next house. At the end of five minutes they appeared upon the third roof, which must have been very steep, for they went on hands and knees along the summit. A sudden terror seized me. I put my hands to my mouth and shouted:

"Come back! Come back!"

Then all of us shouted together. Our voices stopped them for a moment, but they continued on their way. They reached the angle formed by the street upon which faced the Raimbeau house, a high structure, with a roof at least ten feet above those of the neighboring houses. For a moment they hesitated. Then Cyprien climbed up a chimney pipe, with the agility of a cat. Aimee, who must have consented to wait for him, stood on the tiles. We saw her plainly, black and enlarged against the pale sky, straining her children to her bosom. And it was then that the horrifying trouble began.

The Raimbeau house, originally intended for a factory, was very flimsily built. Besides, the facade was exposed to the current in the street. I thought I could see it tremble from the attacks of the water; and, with a contraction of the throat, I watched Cyprien cross the roof. Suddenly a rumbling was heard. The moon rose, a round moon, whose yellow face lighted up the immense lake. Not a detail of the catastrophe was lost to us. The Raimbeau house collapsed. We gave a cry of terror as we saw Cyprien disappear. As the house crumbled we could distinguish nothing but a tempest, a swirling of waves beneath the debris of the roof. Then calm was restored, the surface became smooth; and out of the black hole of the engulfed house projected the skeleton of its framework. There was a mass of entangled beams, and, amongst them, I seemed to see a body moving, something living making superhuman efforts.

"He lives!" I cried. "Oh, God be praised! He lives!"

We laughed nervously; we clapped our hands, as if saved ourselves.

"He is going to raise himself up," said Pierre.

"Yes, yes," said Gaspard, "he is trying to seize the beam on his left."

But our laugh ceased. We had just realized the terrible situation in which Cyprien was placed. During the fall of the house his feet had been caught between two beams, and he hung head downward within a few inches of the water. On the roof of the next house Aimee was still standing, holding her two children. A convulsive tremor shook her. She did not take her eyes from her husband, a few yards below her. And, mad with horror, she emitted without cessation a lamentable sound like the howling of a dog.

"We can't let him die like that," said Jacques, distracted. "We must get down there."

"Perhaps we could slide down the beams and save him," remarked Pierre.

And they started toward the neighboring roof, when the second house collapsed, leaving a gap in the route. Then a chill seized us. We mechanically grasped each other's hands, wringing them cruelly as we watched the harrowing sight.

Cyprien had tried at first to stiffen his body. With extraordinary strength, he had lifted himself above the water, holding his body in an oblique position. Rut the strain was too great. Nevertheless, he struggled, tried to reach some of the beams, felt around him for something to hold to. Then, resigning himself, he fell back again, hanging limp.

Death was slow in coming. The water barely covered his hair, and it rose very gradually. He must have felt its coolness on his brain. A wave wet his brow; others closed his eyes. Slowly we saw his head disappear.

The women, at our feet, had buried their faces in their clasped hands. We, ourselves, fell to our knees, our arms outstretched, weeping, stammering supplications.

On the other roof Aimee, still standing, her children clasped to her bosom, howled mournfully into the night.

IV.

I know not how long we remained in a stupor after that tragedy. When I came to, the water had risen. It was now on a level with the tiles. The roof was a narrow island, emerging from the immense sheet. To the right and the left the houses must have crumbled.

"We are moving," murmured Rose, who clung to the tiles.

And we all experienced the effect of rolling, as if the roof had become detached and turned into a raft. The swift currents seemed to be drifting us away. Then, when we looked at the church clock, immovable opposite us, the dizziness ceased; we found ourselves in the same place in the midst of the waves.

Then the water began an attack. Until then the stream had followed the street; but the debris that encumbered it deflected the course. And when a drifting object, a beam, came within reach of the current, it seized it and directed it against the house like a battering-ram. Soon ten, a dozen, beams were attacking us on all sides. The water roared. Our feet were spattered with foam. We heard the dull moaning of the house full of water. There were moments when the attacks became frenzied, when the beams battered fiercely; and then we thought that the end was near, that the walls would open and deliver us to the river.

Gaspard had risked himself upon the edge of the roof. He had seized a rafter and drawn it to him.

"We must defend ourselves," he cried.

Jacques, on his side, had stopped a long pole in its passage. Pierre helped him. I cursed my age that left me without strength, as feeble as a child. But the defense was organized--a drill between three men and a river. Gaspard, holding his beam in readiness, awaited the driftwood that the current sent against us, and be stopped it a short distance from the walls. At times the shock was so rude that he fell. Beside him Jacques and Pierre manipulated the long pole. During nearly an hour that unending fight continued. And the water retained its tranquil obstinacy, invincible.

Then Jacques and Pierre succumbed, prostrated; while Gaspard, in a last violent thrust, had his beam wrested from him by the current. The combat was useless.

Marie and Veronique had thrown themselves into each other's arms. They repeated incessantly one phrase--a phrase of terror that I still hear ringing in my ears:

"I don't want to die! I don't want to die!"

Rose put her arms about them. She tried to console them, to reassure them. And she herself, trembling, raised her face and cried out, in spite of herself:

"I don't want to die!"

Aunt Agathe alone said nothing. She no longer prayed, no longer made the sign of the cross. Bewildered, her eyes roamed about, and she tried to smile when her glance met mine.

The water was beating against the tiles now. There was no hope of help. We still heard the voices in the direction of the church; two lanterns had passed in the distance; and the silence spread over the immense yellow sheet. The people of Saintin, who owned boats, must have been surprised before us.

Gaspard continued to wander over the Roof. Suddenly he called us.

"Look!" he said. "Help me--hold me tight!"

He had a pole and be was watching an enormous black object that was gently drifting toward the house. It was the roof of a shed, made of strong boards, and that was floating like a raft. When it was within reach he stopped it with the pole, and, as he felt himself being carried off, he called to us. We held him around the waist.

Then, as the mass entered the current, it returned against our roof so violently that we were afraid of seeing it smashed into splinters.

Gaspard jumped upon it boldly. He went over it carefully, to assure himself of its solidity. He laughed, saying joyously:

"Grandfather, we are saved! Don't cry any more, you women. A real boat! Look, my feet are dry. And it will easily carry all of us!"

Still, he thought it well to make it more solid. He caught some floating beams and bound them to it with a rope that Pierre had brought up for an emergency. Gaspard even fell into the water, but at our screams he laughed. He knew the water well; he could swim three miles in the Garonne at a stretch. Getting up again, he shook himself, crying:

"Come, get on it! Don't lose any time!"

The women were on their knees. Gaspard had to carry Veronique and Marie to the middle of the raft, where he made them sit down.

Rose and Aunt Agathe slid down the tiles and placed themselves beside the young girls. At this moment I looked toward the church. Aimee was still in the same place. She was leaning now against a chimney, holding her children up at arm's length, for the water was to her waist.

"Don't grieve, grandfather," said Gaspard. "We will take her off on the way."

Pierre and Jacques were already on the raft, so I jumped on. Gaspard was the last one aboard. He gave us poles that he had prepared and that were to serve us as oars. He had a very long one that he used with great skill. We let him do all the commanding. At an order from him, we braced our poles against the tiles to put out into the stream. But it seemed as if the raft was attached to the roof. In spite of all our efforts, we could not budge it. At each new effort the current swung us violently against the house. And it was a dangerous manoeuvre, for the shock threatened to break up the planks composing the raft.

So once again we were made to feel our helplessness. We had thought ourselves saved, and we were still at the mercy of the river. I even regretted that the women were not on the roof; for, every minute, I expected to see them precipitated into the boiling torrent. But when I suggested regaining our refuge they all cried:

"No, no! Let us try again! Better die here!"

Gaspard no longer laughed. We renewed our efforts, bending to our poles with redoubled energy. Pierre then had the idea to climb up on the roof and draw us, by means of a rope, towards the left. He was thus able to draw us out of the current. Then, when he again jumped upon the raft, a few thrusts of our poles sent us out into the open. But Gaspard recalled the promise he had made me to stop for our poor Aimee, whose plaintive moans had never ceased. For that purpose it was necessary to cross the street, where the terrible current existed. He consulted me by a glance. I was completely upset. Never had such a combat raged within me. We would have to expose eight lives. And yet I had not the strength to resist the mournful appeal.

"Yes, yes," I said to Gaspard. "We can not possibly go away without her!"

He lowered his head without a word, and began using his pole against all the walls left standing. We passed the neighboring house, but as soon as we emerged into the street a cry escaped us. The current, which had again seized us, carried us back against our house. We were whirled round like a leaf, so rapidly that our cry was cut short by the smashing of the raft against the tiles. There was a rending sound, the planks were loosened and wrenched apart, and we were all thrown into the water. I do not know what happened then. I remember that when I sank I saw Aunt Agathe floating, sustained by her skirts, until she went down backward, head first, without a struggle.

A sharp pain brought me to. Pierre was dragging me by the hair along the tiles. I lay still, stupidly watching. Pierre had plunged in again. And, in my confused state, I was surprised to see Gaspard at the spot where my brother had disappeared. The young man had Veronique in his arms. When he had placed her near me he again jumped in, bringing up Marie, her face so waxy white that I thought her dead. Then he plunged again. But this time he searched in vain. Pierre had joined him. They talked and gave each other indications that I could not hear. As they drew themselves up on the roof, I cried:

"And Aunt Agathe? And Jacques? And Rose?"

They shook their heads. Large tears coursed down their cheeks. They explained to me that Jacques had struck his head against a beam and that Rose had been carried down with her husband's body, to which she clung. Aunt Agathe had not reappeared.

Raising myself, I looked toward the roof, where Aimee stood. The water was rising constantly. Aimee was now silent. I could see her upstretched arms holding her children out of the water. Then they all sank, the water closed over them beneath the drowsy light of the moon.

V.

There were only five of us on the roof now. The water left us but a narrow band along the ridge. One of the chimneys had just been carried away. We had to raise Marie and Veronique, who were still unconscious, and support them almost in a standing position to prevent the waves washing over their legs. At last, their senses returned, and our anguish increased upon seeing them wet, shivering and crying miserably that they did not wish to die.

The end had come. The destroyed village was marked by a few vestiges of walls. Alone, the church reared its steeple intact, from whence came the voices--a murmur of human beings in a refuge. There were no longer any sounds of falling houses, like a cart of stones suddenly discharged. It was as if we were abandoned, shipwrecked, a thousand miles from land.

One moment we thought we heard the dip of oars. Ah! what hopeful music! How we all strained our eyes into space! We held our breath. But we could see nothing. The yellow sheet stretched away, spotted with black shadows. But none of those shadows--tops of trees, remnants of walls--moved. Driftwood, weeds, empty barrels caused us false joy. We waved our handkerchiefs until, realizing our error, we again succumbed to our anxiety.

"Ah, I see it!" cried Gaspard, suddenly. "Look over there. A large boat!"

And he pointed out a distant speck. I could see nothing, neither could Pierre. But Gaspard insisted it was a boat. The sound of oars became distinct. At last, we saw it. It was proceeding slowly and seemed to be circling about us without approaching. I remember that we were like mad. We raised our arms in our fury; we shouted with all our might. And we insulted the boat, called it cowardly. But, dark and silent, it glided away slowly. Was it really a boat? I do not know to this day. When it disappeared it carried our last hope.

We were expecting every second to be engulfed with the house. It was undermined and was probably supported by one solid wall, which, in giving way, would pull everything with it. But what terrified me most was to feel the roof sway under our feet. The house would perhaps hold out overnight, but the tiles were sinking in, beaten and pierced by beams. We had taken refuge on the left side on some solid rafters. Then these rafters seemed to weaken. Certainly they would sink if all five of us remained in so small a space.

For some minutes my brother Pierre had been twisting his soldierly mustache, frowning and muttering to himself. The growing danger that surrounded him and against which his courage availed nothing, was wearing out his endurance. He spat two or three times into the water, with an expression of contemptuous anger. Then, as we sank lower, he made up his mind; he started down the roof.

"Pierre! Pierre!" I cried, fearing to comprehend.

He turned and said quietly:

"Adieu, Louis! You see, it is too long for me. And it will leave more room for you."

And, first throwing in his pipe, he plunged, adding:

"Good night! I have had enough!"

He did not come up. He was not a strong swimmer, and he probably abandoned himself, heart-broken at the death of our dear ones and at our ruin.

Two o'clock sounded from the steeple of the church. The night would soon end-- that horrible night already so filled with agony and tears. Little by little, beneath our feet, the small dry space grew smaller. The current had changed again. The drift, passed to the right of the village, floating slowly, as if the water, nearing its highest level, was reposing, tired and lazy.

Gaspard suddenly took off his shoes and his shirt. I watched him for a moment as he wrung his hands. When I questioned him he said:

"Listen, grandfather; it is killing me to wait. I cannot stay here. Let me do as I wish. I will save her."

He was speaking of Veronique. I opposed him. He would never have the strength to carry the young girl to the church. But he was obstinate.

"Yes, I can! My arms are strong. I feel myself able. You will see. I love her--I will save her!"

I was silent. I drew Marie to my breast. Then he thought I was reproaching the selfishness of his love. He stammered:

"I will return and get Marie. I swear it. I will find a boat and organize a rescue party. Have confidence in me, grandfather!"

Rapidly, he explained to Veronique that she must not struggle, that she must submit without a movement, and that she must not be afraid. The young girl answered "yes" to everything, with a distracted look. Then, after making the sign of the cross, he slid down the roof, holding Veronique by a rope that he had looped under her arms. She gave a scream, beat the water with arms and legs, and, suffocated, she fainted.

"I like this better!" Gaspard called to me. "Now, I can answer for her!"

It can be imagined with what agony I followed them with my eyes. On the white surface, I could see Gaspard's slightest movement. He held the young girl by means of the rope that he coiled around his neck; and he carried her thus, half thrown over his right shoulder. The crushing weight bore him under at times. But he advanced, swimming with superhuman strength. I was no longer in doubt. He had traversed a third of the distance when he struck against something submerged. The shock was terrible. Both disappeared. Then I saw him reappear alone. The rope must have snapped. He plunged twice. At last, he came up with Veronique, whom he again took on his back. But without the rope to hold her, she weighed him down more than ever. Still, he advanced. A tremor shook me as I saw them approaching the church. Suddenly, I saw some beams bearing down upon them. A second shock separated them and the waters closed over them.

From this moment, I was stupefied. I had but the instinct of the animal looking out for its own safety. When the water advanced, I retreated. In that stupor, I heard someone laughing, without explaining to myself who it was. The dawn appeared, a great white daybreak. It was very fresh and very calm, as on the bank of a pond, the surface of which awakens before sunrise. But the laughter sounded continually.

Turning, I saw Marie, standing in her wet clothes. It was she who was laughing.

Ah! the poor, dear child! How sweet and pretty she was at that early hour! I saw her stoop, take up some water in the hollow of her hand, and wash her face. Then she coiled her beautiful blonde hair. Doubtless, she imagined she was in her little room, dressing while the church bell rang merrily. And she continued to laugh her childish laugh, her eyes bright and her face happy.

I, too, began to laugh, infected with her madness. Terror had destroyed her mind; and it was a mercy, so charmed did she appear with the beauty of the morning.

I let her hasten, not understanding, shaking my head tenderly. When she considered herself ready to go, she sang one of her canticles in her clear crystalline voice. But, interrupting herself, she cried, as if responding to someone who had called her:

"I am coming, I am coming!"

She took up the canticle again, went down the roof, and entered the water. It covered her softly, without a ripple. I had not ceased smiling. I looked with happiness upon the spot where she had just disappeared.

Then, I remembered nothing more. I was alone on the roof. The water had risen. A chimney was standing, and I must have clung to it with all my strength, like an animal that dreads death. Then, nothing, nothing, a black pit, oblivion.

VI.

Why am I still here? They tell me that people from Saintin came toward six o'clock, with boats, and that they found me lying on a chimney, unconscious. The water was cruel not to have carried me away to be with those who were dear to me.

All the others are gone! The babes in swaddling clothes, the girls to be married, the young married couples, the old married couples. And I, I live like a useless weed, coarse and dried, rooted in the rock. If I had the courage, I would say like Pierre:

"I have had enough! Good night!" And I would throw myself into the Garonne.

I have no child, my house is destroyed, my fields are devastated. Oh! the evenings when we were all at table, and the gaiety surrounded me and kept me young. Oh! the great days of harvest and vintage when we all worked, and when we returned to the house proud of our wealth! Oh! the handsome children and the fruitful vines, the beautiful girls and the golden grain, the joy of my old age, the living recompense of my entire life! Since all that is gone, why should I live?

There is no consolation. I do not want help. I will give my fields to the village people who still have their children. They will find the courage to clear the land of the flotsam and cultivate it anew. When one has no children, a corner is large enough to die in.

I had one desire, one only desire. I wished to recover the bodies of my family, to bury them beneath a slab, where I should soon rejoin them. It was said that, at Toulouse, a large number of bodies carried down the stream, had been taken from the water. I decided to make the trip.

What a terrible disaster! Nearly two thousand houses in ruins; seven hundred deaths; all the bridges carried away; a whole district razed, buried in the mud; atrocious tragedies; twenty thousand half-clad wretches starving to death; the city in a pestilential condition; mourning everywhere; the streets filled with funeral processions; financial aid powerless to heal the wounds! But I walked through it all without seeing anything. I had my ruins, I had my dead, to crush me.

I was told that many of the bodies had been buried in trenches in a corner of the cemetery. Only, they had had the forethought to photograph the unidentified. And it was among these lamentable photographs that I found Gaspard and Veronique. They had been clasped passionately in each other's arms, exchanging in death their bridal kiss. It had been necessary to break their arms in order to separate them. But, first, they had been photographed together; and they sleep together beneath the sod.

I have nothing but them, the image of those two handsome children; bloated by the water, disfigured, retaining upon their livid faces the heroism of their love. I look at them, and I weep.

Poem | The Echoing Green | William Blake

William Blake

The Echoing Green

The sun does arise,

   And make happy the skies;

   The merry bells ring

   To welcome the Spring;

   The skylark and thrush,

   The birds of the bush,

   Sing louder around

   To the bells' cheerful sound;

   While our sports shall be seen

   On the echoing Green.

   Old John, with white hair,

   Does laugh away care,

   Sitting under the oak,

   Among the old folk.

   They laugh at our play,

   And soon they all say,

   "Such, such were the joys

   When we all—girls and boys—

   In our youth-time were seen

   On the echoing Green."

   Till the little ones, weary,

   No more can be merry:

   The sun does descend,

   And our sports have an end.

   Round the laps of their mothers

   Many sisters and brothers,

   Like birds in their nest,

   Are ready for rest,

   And sport no more seen

   On the darkening green.

 

Short Story | The Hungry Stones | Rabindranath Tagore

Rabindranath Tagore

The Hungry Stones

My kinsman and myself were returning to Calcutta from our Puja trip when we met the man in a train. From his dress and bearing we took him at first for an up-country Mahomedan, but we were puzzled as we heard him talk. He discoursed upon all subjects so confidently that you might think the Disposer of All Things consulted him at all times in all that He did. Hitherto we had been perfectly happy, as we did not know that secret and unheard-of forces were at work, that the Russians had advanced close to us, that the English had deep and secret policies, that confusion among the native chiefs had come to a head. But our newly-acquired friend said with a sly smile: "There happen more things in heaven and earth, Horatio, than are reported in your newspapers."

Rabindranath TagoreAs we had never stirred out of our homes before, the demeanour of the man struck us dumb with wonder. Be the topic ever so trivial, he would quote science, or comment on the Vedas, or repeat quatrains from some Persian poet; and as we had no pretence to a knowledge of science or the Vedas or Persian, our admiration for him went on increasing, and my kinsman, a theosophist, was firmly convinced that our fellow-passenger must have been supernaturally inspired by some strange "magnetism" or "occult power," by an "astral body" or something of that kind. He listened to the tritest saying that fell from the lips of our extraordinary companion with devotional rapture, and secretly took down notes of his conversation. I fancy that the extraordinary man saw this, and was a little pleased with it.

When the train reached the junction, we assembled in the waiting room for the connection. It was then 10 P.M., and as the train, we heard, was likely to be very late, owing to something wrong in the lines, I spread my bed on the table and was about to lie down for a comfortable doze, when the extraordinary person deliberately set about spinning the following yarn. Of course, I could get no sleep that night.

When, owing to a disagreement about some questions of administrative policy, I threw up my post at Junagarh, and entered the service of the Nizam of Hydria, they appointed me at once, as a strong young man, collector of cotton duties at Barich.

Barich is a lovely place. The Susta "chatters over stony ways and babbles on the pebbles," tripping, like a skilful dancing girl, in through the woods below the lonely hills. A flight of 150 steps rises from the river, and above that flight, on the river's brim and at the foot of the hills, there stands a solitary marble palace. Around it there is no habitation of man—the village and the cotton mart of Barich being far off.

About 250 years ago the Emperor Mahmud Shah II. had built this lonely palace for his pleasure and luxury. In his days jets of rose-water spurted from its fountains, and on the cold marble floors of its spray-cooled rooms young Persian damsels would sit, their hair dishevelled before bathing, and, splashing their soft naked feet in the clear water of the reservoirs, would sing, to the tune of the guitar, the ghazals of their vineyards.

The fountains play no longer; the songs have ceased; no longer do snow-white feet step gracefully on the snowy marble. It is but the vast and solitary quarters of cess-collectors like us, men oppressed with solitude and deprived of the society of women. Now, Karim Khan, the old clerk of my office, warned me repeatedly not to take up my abode there. "Pass the day there, if you like," said he, "but never stay the night." I passed it off with a light laugh. The servants said that they would work till dark and go away at night. I gave my ready assent. The house had such a bad name that even thieves would not venture near it after dark.

At first the solitude of the deserted palace weighed upon me like a nightmare. I would stay out, and work hard as long as possible, then return home at night jaded and tired, go to bed and fall asleep.

Before a week had passed, the place began to exert a weird fascination upon me. It is difficult to describe or to induce people to believe; but I felt as if the whole house was like a living organism slowly and imperceptibly digesting me by the action of some stupefying gastric juice.

Perhaps the process had begun as soon as I set my foot in the house, but I distinctly remember the day on which I first was conscious of it.

It was the beginning of summer, and the market being dull I had no work to do. A little before sunset I was sitting in an arm-chair near the water's edge below the steps. The Susta had shrunk and sunk low; a broad patch of sand on the other side glowed with the hues of evening; on this side the pebbles at the bottom of the clear shallow waters were glistening. There was not a breath of wind anywhere, and the still air was laden with an oppressive scent from the spicy shrubs growing on the hills close by.

As the sun sank behind the hill-tops a long dark curtain fell upon the stage of day, and the intervening hills cut short the time in which light and shade mingle at sunset. I thought of going out for a ride, and was about to get up when I heard a footfall on the steps behind. I looked back, but there was no one.

As I sat down again, thinking it to be an illusion, I heard many footfalls, as if a large number of persons were rushing down the steps. A strange thrill of delight, slightly tinged with fear, passed through my frame, and though there was not a figure before my eyes, methought I saw a bevy of joyous maidens coming down the steps to bathe in the Susta in that summer evening. Not a sound was in the valley, in the river, or in the palace, to break the silence, but I distinctly heard the maidens' gay and mirthful laugh, like the gurgle of a spring gushing forth in a hundred cascades, as they ran past me, in quick playful pursuit of each other, towards the river, without noticing me at all. As they were invisible to me, so I was, as it were, invisible to them. The river was perfectly calm, but I felt that its still, shallow, and clear waters were stirred suddenly by the splash of many an arm jingling with bracelets, that the girls laughed and dashed and spattered water at one another, that the feet of the fair swimmers tossed the tiny waves up in showers of pearl.

I felt a thrill at my heart—I cannot say whether the excitement was due to fear or delight or curiosity. I had a strong desire to see them more clearly, but naught was visible before me; I thought I could catch all that they said if I only strained my ears; but however hard I strained them, I heard nothing but the chirping of the cicadas in the woods. It seemed as if a dark curtain of 250 years was hanging before me, and I would fain lift a corner of it tremblingly and peer through, though the assembly on the other side was completely enveloped in darkness.

The oppressive closeness of the evening was broken by a sudden gust of wind, and the still surface of the Suista rippled and curled like the hair of a nymph, and from the woods wrapt in the evening gloom there came forth a simultaneous murmur, as though they were awakening from a black dream. Call it reality or dream, the momentary glimpse of that invisible mirage reflected from a far-off world, 250 years old, vanished in a flash. The mystic forms that brushed past me with their quick unbodied steps, and loud, voiceless laughter, and threw themselves into the river, did not go back wringing their dripping robes as they went. Like fragrance wafted away by the wind they were dispersed by a single breath of the spring.

Then I was filled with a lively fear that it was the Muse that had taken advantage of my solitude and possessed me—the witch had evidently come to ruin a poor devil like myself making a living by collecting cotton duties. I decided to have a good dinner—it is the empty stomach that all sorts of incurable diseases find an easy prey. I sent for my cook and gave orders for a rich, sumptuous moghlai dinner, redolent of spices and ghi.

Next morning the whole affair appeared a queer fantasy. With a light heart I put on a sola hat like the sahebs, and drove out to my work. I was to have written my quarterly report that day, and expected to return late; but before it was dark I was strangely drawn to my house—by what I could not say—I felt they were all waiting, and that I should delay no longer. Leaving my report unfinished I rose, put on my sola hat, and startling the dark, shady, desolate path with the rattle of my carriage, I reached the vast silent palace standing on the gloomy skirts of the hills.

On the first floor the stairs led to a very spacious hall, its roof stretching wide over ornamental arches resting on three rows of massive pillars, and groaning day and night under the weight of its own intense solitude. The day had just closed, and the lamps had not yet been lighted. As I pushed the door open a great bustle seemed to follow within, as if a throng of people had broken up in confusion, and rushed out through the doors and windows and corridors and verandas and rooms, to make its hurried escape.

As I saw no one I stood bewildered, my hair on end in a kind of ecstatic delight, and a faint scent of attar and unguents almost effected by age lingered in my nostrils. Standing in the darkness of that vast desolate hall between the rows of those ancient pillars, I could hear the gurgle of fountains plashing on the marble floor, a strange tune on the guitar, the jingle of ornaments and the tinkle of anklets, the clang of bells tolling the hours, the distant note of nahabat, the din of the crystal pendants of chandeliers shaken by the breeze, the song of bulbuls from the cages in the corridors, the cackle of storks in the gardens, all creating round me a strange unearthly music.

Then I came under such a spell that this intangible, inaccessible, unearthly vision appeared to be the only reality in the world—and all else a mere dream. That I, that is to say, Srijut So-and-so, the eldest son of So-and-so of blessed memory, should be drawing a monthly salary of Rs. 450 by the discharge of my duties as collector of cotton duties, and driving in my dog-cart to my office every day in a short coat and soia hat, appeared to me to be such an astonishingly ludicrous illusion that I burst into a horse-laugh, as I stood in the gloom of that vast silent hall.

At that moment my servant entered with a lighted kerosene lamp in his hand. I do not know whether he thought me mad, but it came back to me at once that I was in very deed Srijut So-and-so, son of So-and-so of blessed memory, and that, while our poets, great and small, alone could say whether inside of or outside the earth there was a region where unseen fountains perpetually played and fairy guitars, struck by invisible fingers, sent forth an eternal harmony, this at any rate was certain, that I collected duties at the cotton market at Banch, and earned thereby Rs. 450 per mensem as my salary. I laughed in great glee at my curious illusion, as I sat over the newspaper at my camp-table, lighted by the kerosene lamp.

After I had finished my paper and eaten my moghlai dinner, I put out the lamp, and lay down on my bed in a small side-room. Through the open window a radiant star, high above the Avalli hills skirted by the darkness of their woods, was gazing intently from millions and millions of miles away in the sky at Mr. Collector lying on a humble camp-bedstead. I wondered and felt amused at the idea, and do not knew when I fell asleep or how long I slept; but I suddenly awoke with a start, though I heard no sound and saw no intruder—only the steady bright star on the hilltop had set, and the dim light of the new moon was stealthily entering the room through the open window, as if ashamed of its intrusion.

I saw nobody, but felt as if some one was gently pushing me. As I awoke she said not a word, but beckoned me with her five fingers bedecked with rings to follow her cautiously. I got up noiselessly, and, though not a soul save myself was there in the countless apartments of that deserted palace with its slumbering sounds and waiting echoes, I feared at every step lest any one should wake up. Most of the rooms of the palace were always kept closed, and I had never entered them.

I followed breathless and with silent steps my invisible guide—I cannot now say where. What endless dark and narrow passages, what long corridors, what silent and solemn audience-chambers and close secret cells I crossed!

Though I could not see my fair guide, her form was not invisible to my mind's eye,—an Arab girl, her arms, hard and smooth as marble, visible through her loose sleeves, a thin veil falling on her face from the fringe of her cap, and a curved dagger at her waist! Methought that one of the thousand and one Arabian Nights had been wafted to me from the world of romance, and that at the dead of night I was wending my way through the dark narrow alleys of slumbering Bagdad to a trysting-place fraught with peril.

At last my fair guide stopped abruptly before a deep blue screen, and seemed to point to something below. There was nothing there, but a sudden dread froze the blood in my heart-methought I saw there on the floor at the foot of the screen a terrible negro eunuch dressed in rich brocade, sitting and dozing with outstretched legs, with a naked sword on his lap. My fair guide lightly tripped over his legs and held up a fringe of the screen. I could catch a glimpse of a part of the room spread with a Persian carpet—some one was sitting inside on a bed—I could not see her, but only caught a glimpse of two exquisite feet in gold-embroidered slippers, hanging out from loose saffron-coloured paijamas and placed idly on the orange-coloured velvet carpet. On one side there was a bluish crystal tray on which a few apples, pears, oranges, and bunches of grapes in plenty, two small cups and a gold-tinted decanter were evidently waiting the guest. A fragrant intoxicating vapour, issuing from a strange sort of incense that burned within, almost overpowered my senses.

As with trembling heart I made an attempt to step across the outstretched legs of the eunuch, he woke up suddenly with a start, and the sword fell from his lap with a sharp clang on the marble floor. A terrific scream made me jump, and I saw I was sitting on that camp-bedstead of mine sweating heavily; and the crescent moon looked pale in the morning light like a weary sleepless patient at dawn; and our crazy Meher Ali was crying out, as is his daily custom, "Stand back! Stand back!!" while he went along the lonely road.

Such was the abrupt close of one of my Arabian Nights; but there were yet a thousand nights left.

Then followed a great discord between my days and nights. During the day I would go to my work worn and tired, cursing the bewitching night and her empty dreams, but as night came my daily life with its bonds and shackles of work would appear a petty, false, ludicrous vanity.

After nightfall I was caught and overwhelmed in the snare of a strange intoxication, I would then be transformed into some unknown personage of a bygone age, playing my part in unwritten history; and my short English coat and tight breeches did not suit me in the least. With a red velvet cap on my head, loose paijamas, an embroidered vest, a long flowing silk gown, and coloured handkerchiefs scented with attar, I would complete my elaborate toilet, sit on a high-cushioned chair, and replace my cigarette with a many-coiled narghileh filled with rose-water, as if in eager expectation of a strange meeting with the beloved one.

I have no power to describe the marvellous incidents that unfolded themselves, as the gloom of the night deepened. I felt as if in the curious apartments of that vast edifice the fragments of a beautiful story, which I could follow for some distance, but of which I could never see the end, flew about in a sudden gust of the vernal breeze. And all the same I would wander from room to room in pursuit of them the whole night long.

Amid the eddy of these dream-fragments, amid the smell of henna and the twanging of the guitar, amid the waves of air charged with fragrant spray, I would catch like a flash of lightning the momentary glimpse of a fair damsel. She it was who had saffron-coloured paijamas, white ruddy soft feet in gold-embroidered slippers with curved toes, a close-fitting bodice wrought with gold, a red cap, from which a golden frill fell on her snowy brow and cheeks.

She had maddened me. In pursuit of her I wandered from room to room, from path to path among the bewildering maze of alleys in the enchanted dreamland of the nether world of sleep.

Sometimes in the evening, while arraying myself carefully as a prince of the blood-royal before a large mirror, with a candle burning on either side, I would see a sudden reflection of the Persian beauty by the side of my own. A swift turn of her neck, a quick eager glance of intense passion and pain glowing in her large dark eyes, just a suspicion of speech on her dainty red lips, her figure, fair and slim crowned with youth like a blossoming creeper, quickly uplifted in her graceful tilting gait, a dazzling flash of pain and craving and ecstasy, a smile and a glance and a blaze of jewels and silk, and she melted away. A wild glist of wind, laden with all the fragrance of hills and woods, would put out my light, and I would fling aside my dress and lie down on my bed, my eyes closed and my body thrilling with delight, and there around me in the breeze, amid all the perfume of the woods and hills, floated through the silent gloom many a caress and many a kiss and many a tender touch of hands, and gentle murmurs in my ears, and fragrant breaths on my brow; or a sweetly-perfumed kerchief was wafted again and again on my cheeks. Then slowly a mysterious serpent would twist her stupefying coils about me; and heaving a heavy sigh, I would lapse into insensibility, and then into a profound slumber.

One evening I decided to go out on my horse—I do not know who implored me to stay-but I would listen to no entreaties that day. My English hat and coat were resting on a rack, and I was about to take them down when a sudden whirlwind, crested with the sands of the Susta and the dead leaves of the Avalli hills, caught them up, and whirled them round and round, while a loud peal of merry laughter rose higher and higher, striking all the chords of mirth till it died away in the land of sunset.

I could not go out for my ride, and the next day I gave up my queer English coat and hat for good.

That day again at dead of night I heard the stifled heart-breaking sobs of some one—as if below the bed, below the floor, below the stony foundation of that gigantic palace, from the depths of a dark damp grave, a voice piteously cried and implored me: "Oh, rescue me! Break through these doors of hard illusion, deathlike slumber and fruitless dreams, place by your side on the saddle, press me to your heart, and, riding through hills and woods and across the river, take me to the warm radiance of your sunny rooms above!"

Who am I? Oh, how can I rescue thee? What drowning beauty, what incarnate passion shall I drag to the shore from this wild eddy of dreams? O lovely ethereal apparition! Where didst thou flourish and when? By what cool spring, under the shade of what date-groves, wast thou born—in the lap of what homeless wanderer in the desert? What Bedouin snatched thee from thy mother's arms, an opening bud plucked from a wild creeper, placed thee on a horse swift as lightning, crossed the burning sands, and took thee to the slave-market of what royal city? And there, what officer of the Badshah, seeing the glory of thy bashful blossoming youth, paid for thee in gold, placed thee in a golden palanquin, and offered thee as a present for the seraglio of his master? And O, the history of that place! The music of the sareng, the jingle of anklets, the occasional flash of daggers and the glowing wine of Shiraz poison, and the piercing flashing glance! What infinite grandeur, what endless servitude!

The slave-girls to thy right and left waved the chamar as diamonds flashed from their bracelets; the Badshah, the king of kings, fell on his knees at thy snowy feet in bejewelled shoes, and outside the terrible Abyssinian eunuch, looking like a messenger of death, but clothed like an angel, stood with a naked sword in his hand! Then, O, thou flower of the desert, swept away by the blood-stained dazzling ocean of grandeur, with its foam of jealousy, its rocks and shoals of intrigue, on what shore of cruel death wast thou cast, or in what other land more splendid and more cruel?

Suddenly at this moment that crazy Meher Ali screamed out: "Stand back! Stand back!! All is false! All is false!!" I opened my eyes and saw that it was already light. My chaprasi came and handed me my letters, and the cook waited with a salam for my orders.

I said; "No, I can stay here no longer." That very day I packed up, and moved to my office. Old Karim Khan smiled a little as he saw me. I felt nettled, but said nothing, and fell to my work.

As evening approached I grew absent-minded; I felt as if I had an appointment to keep; and the work of examining the cotton accounts seemed wholly useless; even the Nizamat of the Nizam did not appear to be of much worth. Whatever belonged to the present, whatever was moving and acting and working for bread seemed trivial, meaningless, and contemptible.

I threw my pen down, closed my ledgers, got into my dog-cart, and drove away. I noticed that it stopped of itself at the gate of the marble palace just at the hour of twilight. With quick steps I climbed the stairs, and entered the room.

A heavy silence was reigning within. The dark rooms were looking sullen as if they had taken offence. My heart was full of contrition, but there was no one to whom I could lay it bare, or of whom I could ask forgiveness. I wandered about the dark rooms with a vacant mind. I wished I had a guitar to which I could sing to the unknown: "O fire, the poor moth that made a vain effort to fly away has come back to thee! Forgive it but this once, burn its wings and consume it in thy flame!"

Suddenly two tear-drops fell from overhead on my brow. Dark masses of clouds overcast the top of the Avalli hills that day. The gloomy woods and the sooty waters of the Susta were waiting in terrible suspense and in an ominous calm. Suddenly land, water, and sky shivered, and a wild tempest-blast rushed howling through the distant pathless woods, showing its lightning-teeth like a raving maniac who had broken his chains. The desolate halls of the palace banged their doors, and moaned in the bitterness of anguish.

The servants were all in the office, and there was no one to light the lamps. The night was cloudy and moonless. In the dense gloom within I could distinctly feel that a woman was lying on her face on the carpet below the bed—clasping and tearing her long dishevelled hair with desperate fingers. Blood was tricking down her fair brow, and she was now laughing a hard, harsh, mirthless laugh, now bursting into violent wringing sobs, now rending her bodice and striking at her bare bosom, as the wind roared in through the open window, and the rain poured in torrents and soaked her through and through.

All night there was no cessation of the storm or of the passionate cry. I wandered from room to room in the dark, with unavailing sorrow. Whom could I console when no one was by? Whose was this intense agony of sorrow? Whence arose this inconsolable grief?

And the mad man cried out: "Stand back! Stand back!! All is false! All is false!!"

I saw that the day had dawned, and Meher Ali was going round and round the palace with his usual cry in that dreadful weather. Suddenly it came to me that perhaps he also had once lived in that house, and that, though he had gone mad, he came there every day, and went round and round, fascinated by the weird spell cast by the marble demon.

Despite the storm and rain I ran to him and asked: "Ho, Meher Ali, what is false?"

The man answered nothing, but pushing me aside went round and round with his frantic cry, like a bird flying fascinated about the jaws of a snake, and made a desperate effort to warn himself by repeating: "Stand back! Stand back!! All is false! All is false!!"

I ran like a mad man through the pelting rain to my office, and asked Karim Khan: "Tell me the meaning of all this!"

What I gathered from that old man was this: That at one time countless unrequited passions and unsatisfied longings and lurid flames of wild blazing pleasure raged within that palace, and that the curse of all the heart-aches and blasted hopes had made its every stone thirsty and hungry, eager to swallow up like a famished ogress any living man who might chance to approach. Not one of those who lived there for three consecutive nights could escape these cruel jaws, save Meher Ali, who had escaped at the cost of his reason.

I asked: "Is there no means whatever of my release?" The old man said: "There is only one means, and that is very difficult. I will tell you what it is, but first you must hear the history of a young Persian girl who once lived in that pleasure-dome. A stranger or a more bitterly heart-rending tragedy was never enacted on this earth."

Just at this moment the coolies announced that the train was coming. So soon? We hurriedly packed up our luggage, as the tram steamed in. An English gentleman, apparently just aroused from slumber, was looking out of a first-class carriage endeavouring to read the name of the station. As soon as he caught sight of our fellow-passenger, he cried, "Hallo," and took him into his own compartment. As we got into a second-class carriage, we had no chance of finding out who the man was nor what was the end of his story.

I said; "The man evidently took us for fools and imposed upon us out of fun. The story is pure fabrication from start to finish." The discussion that followed ended in a lifelong rupture between my theosophist kinsman and myself.